Words, Space, and the Audience

The Theatrical Tension between Empiricism and Rationalism

M. Bennett (Autor)

Buch | Hardcover

179 Seiten

2012
Palgrave Macmillan (Verlag)
978-0-230-11680-1 (ISBN)

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In this unique study, Michael Y. Bennett re-reads four influential modern plays alongside their contemporary debates between rationalism and empiricism to show how these monumental achievements were thoroughly a product of their time, but also universal in their epistemological quest to understand the world through a rational and/or empirical model. Bennett contends that these plays directly engage in their contemporary epistemological debates rather than through the lens of a specific philosophy. Besides producing new, insightful readings of heavily-studied plays, the interdisciplinary (historical, philosophical, dramatic, theatrical, and literary) frame Bennett constructs allows him to investigate one of the most fundamental questions of the theatre - how does meaning get made? Bennett suggests that the key to unlocking theatrical meaning is exploring the tension between empirical and rational modes of understanding. The book concludes with an interview with performance artist Coco Fusco.

Michael Y. Bennett is Associate Professor of English and affiliated faculty in Philosophy at the University of Wisconsin-Whitewater, USA, where he teaches courses on modern drama. He is the author of: Reassessing the Theatre of the Absurd (2011/2013); Words, Space, and the Audience (2012); Narrating the Past through Theatre (2012). He is the editor of Refiguring Oscar Wilde s Salome (2011) and the co-editor of Eugene O'Neill's One-Act Plays (2012). He is also Editor of The Edward Albee Review.

Introduction: Words, Space, and the Audience Victorian Ideals: Wilde Performances in The Importance of Being Earnest and Salome After the Great War: Contextualizing the Self in Italy and Six Characters in Search of an Author 1952 Paris: Waiting for Godot and The Great Quarrel Cold War Tactics: Fear in Who's Afraid of Virginia Woolf? Conclusion: The Epistemological Quandary over Improvisation, Impermanence, and Lack of a Script in Performance Art: An Interview with Coco Fusco

Erscheint lt. Verlag	3.7.2012
Zusatzinfo	X, 179 p.
Verlagsort	Basingstoke
Sprache	englisch
Maße	140 x 216 mm
Themenwelt	Literatur ► Lyrik / Dramatik ► Dramatik / Theater
	Kunst / Musik / Theater ► Theater / Ballett
	Geisteswissenschaften ► Geschichte
	Geisteswissenschaften ► Philosophie ► Erkenntnistheorie / Wissenschaftstheorie
	Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
ISBN-10	0-230-11680-9 / 0230116809
ISBN-13	978-0-230-11680-1 / 9780230116801
Zustand	Neuware