Kubrick's Total Cinema
Philosophical Themes and Formal Qualities
Seiten
2012
Bloomsbury Continuum (Verlag)
978-1-4411-5687-7 (ISBN)
Bloomsbury Continuum (Verlag)
978-1-4411-5687-7 (ISBN)
An original study of Kubrick's philosophical themes and cinematic qualities: time, light, speech, music, poiesis, corporeality, war, eros, technology, and transcendence.
Whatever people think about Kubrick's work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. In an attempt to isolate the Kubrick difference, this book treats Kubrick's films to a conceptual and formal analysis rather than a biographical and chronological survey.
As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.
Whatever people think about Kubrick's work, most would agree that there is something distinctive, even unique, about the films he made: a coolness, an intellectual clarity, a critical edginess, and finally an intractable ambiguity. In an attempt to isolate the Kubrick difference, this book treats Kubrick's films to a conceptual and formal analysis rather than a biographical and chronological survey.
As Kubrick's cinema moves between the possibilities of human transcendence dramatized in 2001: A Space Odyssey and the dismal limitations of human nature exhibited in A Clockwork Orange, the filmmaker's style "de-realizes" cinematic realism while, paradoxically, achieving an unprecedented frankness of vision and documentary and technical richness. The result is a kind of vertigo: the audience is made aware of both the de-realized and the realized nature of cinema. As opposed to the usual studies providing a summary and commentary of individual films, this will be the first to provide an analysis of the "elements" of Kubrick's total cinema.
Philip Kuberski is Professor of English at Wake Forest University and the author of three books and a number of essays on modern literature and its relations to science, technology, and mythology.
Chapter One: Thinking
Chapter Two: Corporeality
Chapter Three: Time
Chapter Four: War
Chapter Five: Light
Chapter Six: Eros
Chapter Seven: Music
Chapter Eight: Technology
Chapter Nine: Speech
Chapter Ten: Poiesis
Chapter Eleven: Transcendence
| Erscheint lt. Verlag | 11.10.2012 |
|---|---|
| Verlagsort | New York |
| Sprache | englisch |
| Gewicht | 472 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Geschichte ► Geschichtstheorie / Historik | |
| Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
| ISBN-10 | 1-4411-5687-9 / 1441156879 |
| ISBN-13 | 978-1-4411-5687-7 / 9781441156877 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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