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Visual Methods in Psychology -

Visual Methods in Psychology

Using and Interpreting Images in Qualitative Research

Paula Reavey (Herausgeber)

Buch | Hardcover
416 Seiten
2011
Routledge (Verlag)
978-0-415-48348-3 (ISBN)
CHF 209,45 inkl. MwSt
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This comprehensive volume provides an unprecedented illustration of the potential for visual methods in psychology. Each chapter explores the set of theoretical, methodological, as well as ethical and analytical issues that shape the ways in which visual qualitative research is conducted in psychology. Using a variety of forms of visual data, including photography, documentary film-making, drawing, internet media, model making and collages, each author endeavors to broaden the scope for understanding experience and subjectivity, using visual qualitative methods.


The contributors to this volume work within a variety of traditions including narrative psychology, personal construct theory, discursive psychology and conversation analysis, phenomenology and psychoanalysis. Each addresses how a particular visual approach has contributed to existing social and psychological theory in their topic area, and clearly outline how they carried out their specific research project. The contributors draw on qualitative sources of verbal data, such as spoken interview, diaries and naturalistic conversation alongside their use of visual material.


This book provides a unique insight into the potential for combining methods in order to create new multi-modal methodologies, and it presents and analyses these with psychology specific questions in mind. The range of topics covered includes sexuality, identity, group processes, child development, forensic psychology, race, and gender, making this volume a vital contribution to psychology, sociology and gender studies.

Paula Reavey is a senior lecturer in psychology at London South Bank University. She has published widely on topics relating to child sexual abuse, social
remembering, mental health, space and embodiment, using memory work, discursive approaches and visual methods.

P. Reavey, Back to Experience: Psychology and the Visual.  Part 1: Static Media: The Use of Photography in Qualitative Research  A. Radley, Image and Imagination.  R. Gill, Bend it Like Beckham: The Challenges of Reading Gender and Visual Culture.  L. Del Busso, Using Photographs to explore the Embodiment of Pleasure in Everyday life.  H. Frith, Narrating Biographical Disruption and Repair: Exploring the Place of Absent Images in Women's Experiences of Cancer and Chemotherapy.  A. Majumdar, Using Photographs of Places, Spaces and Objects to explore South Asian Women's Experiences of Close Relationships and Marriage.  Part 2: Moveable Features: Using Facebook and Video in Qualitative Research  L. Goodings & S. D. Brown, Textuality and Visuality in MySpace Communication.  J. Motzkau, Picturing the Truth in Video? Seeing and Speaking in Research and Legal Practice.  M. Forrester, The Video Camera as a Cultural Object: The Presence of (an)Other.  M. Pini & V. Walkerdine, Girls on Film: Video Diaries as 'Autoethniographies'.  H. Lomax, Visual Identities: Choreographies of Gaze, Body Movement and Speech in Video Based Mother-Midwife Interaction.  Part 3: Community Visions: Action Based Projects and the Use of Visual Methods  K. Johnson, Visualising Mental Health with an LGBT Community Group: Method, Process, Theory.  S. Riley, R. Brown, C. Griffin & Y. Morey, Tribal Gatherings: Using Art to Disseminate Research on Club Culture.  A. Cassidy & J. Maule, Risk Communication and Participatory Research: 'Fuzzy Felt', Visual Games and Group Discussion of Complex Issues.  J. Haaken, Social Action Research, Psychoanalytic Theory and Documentary Filmaking.  C. Howarth, Towards a Visual Social Psychology of Identity and Representation: Photographing the Self, Weaving the Family in a Multicultural British Community.  H. Bowes-Catton, M. Barker & C. Richards, 'I didn't know that I could feel so relaxed in my Body': Using Visual Methods to Research Bisexual People's Embodied Experiences of Identity and Space.  A. Iantaffi, Travelling along 'Rivers of Experience': Personal Construct Psychology and Visual Metaphors in Reseach.  A. Bridger, Psychogeography and the Study of Social Environments: Extending Visual Methodological Research in Psychology.  Part 4: Ethical and Methodological Reflections on Visual Research  D. Hodgetts, K. Chamberlain & S. Groot, Reflections on the Visual in Comunity Research and Action.  K. Gleeson, Polytextual Thematic Analysis for Visual Data - Pinning Down the Analytic.  K. Henwood, F. Shirani & M. Finn, Methodological and Analytical Reflections on Visual (photo-elicitation) Methods used in the Men-as-Fathers Study.  I. Mountian, R. Lawthorn, A. Kellock, K. Duggan, J. Sixsmith, C. Kagan, J. Hawkins, J. Haworth, A. Siddiquee, C. Worley, D. Brown, J. Griffiths, C. Purcell, On Utilising a Visual Methodology: Shared Reflections and Tensions.

Zusatzinfo 47 Halftones, black and white; 2 Tables, black and white; 12 Illustrations, black and white
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 770 g
Themenwelt Geisteswissenschaften Psychologie Sozialpsychologie
Geisteswissenschaften Psychologie Verhaltenstherapie
ISBN-10 0-415-48348-4 / 0415483484
ISBN-13 978-0-415-48348-3 / 9780415483483
Zustand Neuware
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