Nicht aus der Schweiz? Besuchen Sie lehmanns.de

Chassidic Ecstasy in Music

(Autor)

Buch | Softcover
230 Seiten
2009
Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
978-3-631-58452-1 (ISBN)
CHF 71,90 inkl. MwSt
Music is of paramount importance in Judaism. On the verse, «Hearken unto the song and the prayer which Your servant prays before You this day» (I Kings 8:28), the Gemarrah states that wherever there is song, there shall be prayer; and indeed, in the Temple, song was an inseparable element of the sacrificial services, thereafter finding its position in the prayers and the Torah reading, with its special melody, in the synagogue.
Chassidism employed music as one of its main avenues for serving G-d. Music served to bring the individual to a state of awakening and joy, nullifying sadness which was seen as an element that could only lead to negativity. Joy allowed one to reach ever higher levels in the service of G-d, leaving one's sorrows behind, as explained by the founder of the Modzits Chassidic court, Rabbi Yehezkel of Kozmir, when interpreting the verse, «with joy you shall go forth» (Isaiah 55) to mean that through joy, we shall go forth from all our difficulties.
In this book, Shmuel Barzilai takes the reader on a brief and concise tour of the Chassidic courts and their world of music. It explains the wordless melody (Niggun), which is perhaps even more important than songs having words; the importance of dance; the place of honor given to Shabbat songs; and the role of music in Kabbalah. The book provides an overview of the activities of Rabbis who composed and sang at every opportunity, whether in the synagogue or while conducting the traditional Tisch where Chassidic adherents gathered each Shabbat and Festival to hear their Rebbe explain sections of Torah, sing and interpret sayings on music. Barzilai also discusses melodies - niggunim - that became particularly famous, or derived from non-Jewish sources but underwent a process that allowed them to be adopted by the Admoric leaders and integrated into the Chassidic court's repertoire.

The Author: Shmuel Barzilai, Cantor and composer, was born in 1957 as a Seventh-generation Jerusalemite. Since 1992, he has served as the Chief Cantor in the Jewish community of Vienna, Austria. He is a graduate of the Be’er Yaakov, Knesset Hizkiyahu and Hevron Yeshivas, and studied at the Rabbinic Seminary of Givatayim. Cantor Barzilai is a graduate of Tel Aviv Cantorial Institute, in Israel. He has received advanced degrees from the University of Vienna, Austria with a B.A. and M.A. from the Department of Philosophy in Jewish Sciences.

lt;i>Contents: Music in Judaism - Chassidism - The Niggum (Melody) - Dance - The Shabbat and Music - Music in Mysticism - Musical Expression in Chassidic Courts - Composers and Lyricists - Famous Niggunim: Legends and Examples - Adages referencing Chassidic Music - Chassidic Approach to non-Jewish Music - Musical Instruments used in Chassidic Music - Neo-Chassidic Movements.

Erscheint lt. Verlag 6.11.2009
Verlagsort Frankfurt a.M.
Sprache englisch
Maße 148 x 210 mm
Gewicht 310 g
Themenwelt Kunst / Musik / Theater Musik Musikgeschichte
Geisteswissenschaften Religion / Theologie Judentum
Schlagworte Barzilai • Chassidic • Ecstasy • Hardcover, Softcover / Musik/Musikgeschichte • Judaism • music • Niggum • Shabbat • shmuel
ISBN-10 3-631-58452-0 / 3631584520
ISBN-13 978-3-631-58452-1 / 9783631584521
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
zwischen Haltung und Unterhaltung

von Sebastian Krumbiegel

Buch (2024)
Ventil Verlag
CHF 29,90