Critical Exchange
Peter Lang Group Ag, International Academic Publishers (Verlag)
978-3-03911-556-3 (ISBN)
International contributors to this volume, who include art historians, cultural historians, and specialists in critical and philosophical discourse, examine the emergence of art critical discourse in a variety of cultural and geo-political contexts.
The Editors: Carol Adlam is Senior Lecturer in Russian at the University of Exeter. She is a specialist in nineteenth-century Russian art history, and late twentieth-century Russian literature and critical theory. Juliet Simpson is Professor of Art History and Visual Culture at the School of Arts and Media, Buckinghamshire New University. She is a specialist in nineteenth-century and early twentieth-century French art history, visual culture and art criticism.
Contents: Carol Adlam/Juliet Simpson: Introduction. Critical Exchanges: Artwriting in Eighteenth- and Nineteenth-Century Europe - Andy Hamilton: Criticism, Connoisseurship and Appreciation - Katerina Deligiorgi: The Convergence of Ethics and Aesthetics: Schiller's Concept of the 'Naive' and Objects of Distant Antiquity - Richard Wrigley: Sense of Place in Eighteenth-Century Salon Criticism - Juliet Simpson: Relative Values? Ideas of 'Real' and 'Symbolic' Worth in Fin-de-Siècle French Art Criticism - Aaron J. Cohen: Profession or Politics? Modernism and the Rhetoric of Art Criticism in Late Imperial Russia, 1898-1917 - Claudia Mattos: The Torchlight Visit: Guiding the Eye through Late Eighteenth and Early Nineteenth-Century Antique Sculpture Galleries - Debbie Challis: Charles Newton and the British Museum: Articulating a Science of Ancient Art in the Nineteenth Century - Meaghan Clarke: Translating nudus: Modernity and the British Academy's New Clothes - Marijke Jonker: La Font de Saint-Yenne: Jansenism and the Beginnings of Independent Art Criticism in France - Alexey Makhrov: Defining Art Criticism in Nineteenth-Century Russia: Vladimir Stasov as Independent Critic - Elizabeth Kridl Valkenier: Ilia Repin and His Critics - Antonia Napp: Johann Buhle's Zhurnal iziashchnykh iskusstv: The German Source of Russian Art Criticism - Rosalind P. Blakesley: Emile Zola's Art Criticism in Russia - Ilia Dorontchenkov: Between Isolation and Drang nach Westen: Russian Criticism and Modern Western Art around 1900 - Emma Minns: 'New, Strange, and Beautiful to English Eyes': British Reviews of Representations of Russia at the Beginning of the Twentieth Century - Yves Landerouin: Ruskin, Whistler, Wilde, Proust: The Dispute about Creative Criticism - Helen Bridge: Rilke's Neue Gedichte and the Visual Arts.
«With its Franco-Russian polarity, this adventurous collection opens perspectives in nineteenth-century art criticism, provoking challenging ideas about nineteenth-century art writing across languages, economics and polemic.» (Richard Thomson, Watson Gordon Professor of Fine Art, University of Edinburgh)
| Erscheint lt. Verlag | 7.1.2009 |
|---|---|
| Reihe/Serie | Cultural Interactions: Studies in the Relationship between the Arts ; 12 |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 148 x 210 mm |
| Gewicht | 610 g |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Slavistik | |
| Sozialwissenschaften | |
| Schlagworte | Adlam • Aesthetics • barrie • British Academy • Bullen • Carol • centuries • Connoisseurship • Critical • Criticism • eighteenth • Europe • Exchange • Fin-de-Siecle • Hardcover, Softcover / Kunst/Kunstgeschichte • Juliet • nineteenth • Russia • simpson • Western |
| ISBN-10 | 3-03911-556-1 / 3039115561 |
| ISBN-13 | 978-3-03911-556-3 / 9783039115563 |
| Zustand | Neuware |
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