The Phenomenology of Blood in Performance Art
Routledge (Verlag)
978-0-367-19121-4 (ISBN)
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The Phenomenology of Blood in Performance Art is a major new publication that expands the philosophical contextualisation of blood, its presence and absence, across the practice of performance art from a phenomenological perspective.
Edited by T J Bacon (she/they) and Dr Chelsea Coon (she/her) this book moves beyond an established cannon of artists to ensure an inclusive representation of practices from a wider range of practitioners. First hand interviews and conversations have been gathered from both canonical names as well as individuals who are prevalent in their communities and/or respective subcultures, but less represented within the frameworks of scholarly discourse. Each offers the opportunity to examine their experiences creating artworks and in turn contributes to the context of phenomenological examination within this publication through complementary scholarly texts from leading thinkers who frame phenomenological application to both visual art and transdisciplinary context. Contributions include articles and interview from names such as ORLAN, Marina Abramovic, Prof Robert Mock, Hermann Nitsch, Franko B, Prof Amber Mussar, Dr Lynn Lu, Ron Athey, Jelili Atiku, Paola Paz Yee, Mike Parr, Prof Stuart Grant, Poppy Jackson, Dr Raegan Truax, Niya B, Andre Molodkin, Dr Ernst Fischer, Dr T J Bacon, Victor Martinez Diaz, Dr Chelsea Coon, Rufus Elliot, Dr Mirabelle Jones, Louis Fleischauer, Dr Kelly Jordan and many more. Together they represent a significant exploration of intricate and dynamic responses to the cultural fabric of contemporary lived experiences across space and time through the medium of blood in performance art.
This incredible analysis of this performance art will be of huge interest to students and practitioners of live art, performance art, phenomenology and performance philosophy.
T J Bacon (she/they) is a is a trans-femme pansexual person with hidden disabilities. Her practice as an artist-philosopher foregrounds transgender studies and phenomenology, alongside queer theory, crip theory, disaster studies, and futures to consider visual art, performance art, activism and curation. She has exhibited internationally for over 20 years with a practice rooted in the elemental and esoteric. She is also the founder and artistic director of Tempting Failure which produces and supports international visual art, performance art and sonic art. She is currently Resident Researcher at Guildhall School of Music and Drama, London and a PhD Advisor with the Trans Art Institute. She is also the lead on the Queer Acts of Hope line of enquiry at the Guildhall De-Centre for Socially Engaged Practice & Research. She lives and works in London. Chelsea Coon (she/her) is an artist and writer whose work focuses on the shifting interconnections of the body, time, and space. She reconsiders limits of the body and forms through performance, photography, video, painting, sculpture, and installation. She has performed and exhibited extensively across North America, Europe, Asia, Southeast Asia, Africa, South America, Australia, and the Middle East. Recent solo exhibitions include Heavy Metal at Meno Parkas Gallery, Lithuania; The probability of all possible states of the system at Arka Gallery, Lithuania; and deathless at Galleri Kronborg, Norway. Chelsea Coon's writings on contemporary art, performance, and philosophy are included in experimental and academic publications, magazines, and journals. She lives and works in Los Angeles.
Acknowledgements
Introduction: The Phenomenology of Bloody Performance Art!
T J Bacon, Chelsea Coon
Part I: The Phenomenology of Bloody Pain
T J Bacon
I. Intentionality of a Moment – Three stages of a reduction
Stuart Grant
II. In Conversation – Franko B and Andrei Molodkin
T J Bacon, Chelsea Coon, Becky Haghpanah-Shirwan`
III. In Conversation – Louis Fleischauer and Ernst Fischer
T J Bacon
IV. Blood Rituals - A Provocation to Queer a Phenomenological Soil
T J Bacon
V. In Conversation - Hermann Nitsch
T J Bacon
VI. The Phenomenology of the Visceral Response
Lynn Lu
VII. In Conversation – Mike Parr
T J Bacon
Part II: The Phenomenology of Bloody Care
T J Bacon
VIII. Being shattered – fragility and our psychogenesis
Kelly Jordan
IX. In Conversation – ORLAN and Marina Abramović
T J Bacon, Kelly Jordan
X. Experiential Traces: The Aesthetic of Absence
Chelsea Coon
XI. In Conversation – Mirabelle Jones and Chelsea Coon
Chelsea Coon
XII. In Conversation - Paola Paz Yee and Victor Martinez Diaz
Chelsea Coon
XIII. Tainted Blood? Thinking Blood and Bleeding with Race
Amber Jamilla Musser
XIV. In Conversation - Jelili Atiku
Chelsea Coon
Part III: The Phenomenology of Bloody Disruption
T J Bacon
XV. The fluidity or transmutability of borders held in the lived body of trans and non-binary bodies
T J Bacon
XVI. In Conversation – tjb and Ron Athey
Chelsea Coon
XVII. Bleeding Pulsing Biding Time - Durational Performance and Phenomenological Unmuting in the work of MC Coble
Raegan Truax
XVIII. Reclaiming the body: blood, trauma, protest
Roberta Mock
XIX. In Conversation - Marisa Carnesky and Poppy Jackson
T J Bacon
References
Index
| Erscheint lt. Verlag | 10.3.2025 |
|---|---|
| Reihe/Serie | Routledge Advances in Theatre & Performance Studies |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Kunst / Musik / Theater ► Theater / Ballett | |
| ISBN-10 | 0-367-19121-0 / 0367191210 |
| ISBN-13 | 978-0-367-19121-4 / 9780367191214 |
| Zustand | Neuware |
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