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Island -  Nicholas Jenkins

Island (eBook)

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2024 | 1. Auflage
464 Seiten
Faber & Faber (Verlag)
978-0-571-38634-5 (ISBN)
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A groundbreaking reassessment of W. H. Auden's early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England. W. H. Auden is a towering figure in modern literary history with a complex private self. Hannah Arendt wrote that he had 'the necessary secretiveness of the great poet'. The Island lays bare for the first time some of the most telling 'secrets' of Auden's early poetry, his world, his emotional life, his values and the sources of his art. In a book that is an argument but also a story, Nicholas Jenkins gives compelling readings of iconic poems. He presents Auden in the inter-War years as both a visionary writer, creatively dependent on dreams and intuitions, and a traumatized poet, haunted by war and suffering, and shadowed by his outsider status as a privileged but queer man. The Island considers, as well, Auden's imaginative flirtations with a lyrical nationalism appealing to a poet who, for a while, felt his psyche was like a map of English culture. The narrative ends in Auden's disillusionment with these potent myths and beliefs and the time when he left 'the island'. Auden's preoccupations - with the vicissitudes of war and the problems of love, belonging and identity - are of their time but they still resonate profoundly today. 'A superb, deeply researched study of Auden's early work and identity. Jenkins's understanding of young Auden as a poet shaped and haunted by the First World War - assimilating the influence of Wilfred Owen, Edward Thomas, Robert Graves, and W. H. R. Rivers - is convincing, original, and poignant. Fusing biography, cultural history, and literary criticism in innovative and elegant ways, The Island is a landmark publication in modernist studies.' Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath 'Nicholas Jenkins is one of our most perceptive and resourceful critics. In this wonderful study of the early Auden, he brings to bear history, biography, and an acute sense of the artistic moment to fashion for us a young genius who is conservative, bucolic, gay, a patriotic adherent of post-imperial Little England. Most people work backwards from a writer's ultimate reputation, but Jenkins gives us a new, unexpected image of a poet developing in the aftermath of World War I and the collapse of modernism.' Edmund White, author of The Humble Lover 'The Island is a Copernican Revolution in Auden studies, a revelatory and often exciting book that presents a new and convincing account of Auden's early years. It explores, for the first time, the deep connections between the inner workings of his poems and the worlds of politics and economics. By bringing to light Auden's ambition to be a national poet, Jenkins transforms our understanding of not only Auden himself but all of modernist literature.' Edward Mendelson, author of Early Auden and Later Auden

Nicholas Jenkins teaches English Literature at Stanford University. His writing has appeared in the New Yorker, the Times Literary Supplement, and the New Republic, among other publications. He is the literary executor of the ballet impresario Lincoln Kirstein.
A groundbreaking reassessment of W. H. Auden's early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England. W. H. Auden is a towering figure in modern literary history with a complex private self. Hannah Arendt wrote that he had 'the necessary secretiveness of the great poet'. The Island lays bare for the first time some of the most telling 'secrets' of Auden's early poetry, his world, his emotional life, his values and the sources of his art. In a book that is an argument but also a story, Nicholas Jenkins gives compelling readings of iconic poems. He presents Auden in the inter-War years as both a visionary writer, creatively dependent on dreams and intuitions, and a traumatized poet, haunted by war and suffering, and shadowed by his outsider status as a privileged but queer man. The Island considers, as well, Auden's imaginative flirtations with a lyrical nationalism appealing to a poet who, for a while, felt his psyche was like a map of English culture. The narrative ends in Auden's disillusionment with these potent myths and beliefs and the time when he left 'the island'. Auden's preoccupations - with the vicissitudes of war and the problems of love, belonging and identity - are of their time but they still resonate profoundly today. 'A superb, deeply researched study of Auden's early work and identity. Jenkins's understanding of young Auden as a poet shaped and haunted by the First World War - assimilating the influence of Wilfred Owen, Edward Thomas, Robert Graves, and W. H. R. Rivers - is convincing, original, and poignant. Fusing biography, cultural history, and literary criticism in innovative and elegant ways, The Island is a landmark publication in modernist studies.'Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath'Nicholas Jenkins is one of our most perceptive and resourceful critics. In this wonderful study of the early Auden, he brings to bear history, biography, and an acute sense of the artistic moment to fashion for us a young genius who is conservative, bucolic, gay, a patriotic adherent of post-imperial Little England. Most people work backwards from a writer's ultimate reputation, but Jenkins gives us a new, unexpected image of a poet developing in the aftermath of World War I and the collapse of modernism.'Edmund White, author of The Humble Lover'The Island is a Copernican Revolution in Auden studies, a revelatory and often exciting book that presents a new and convincing account of Auden's early years. It explores, for the first time, the deep connections between the inner workings of his poems and the worlds of politics and economics. By bringing to light Auden's ambition to be a national poet, Jenkins transforms our understanding of not only Auden himself but all of modernist literature.'Edward Mendelson, author of Early Auden and Later Auden

 
feb 1907   born in York, the third son of George and Constance Auden
ca summer 1908     Auden family moves to Solihull, near Birmingham
april 1912   first memory of a public event: the sinking of the Titanic
sept 1914   Dr. Auden joins the Royal Army Medical Corps
summer–autumn 1915   Dr. Auden serves at Suvla Bay during the Gallipoli campaign
oct 1915   with brother John starts boarding at St. Edmund’s School in Surrey
jan 1916   Dr. Auden is invalided out of frontline medical duties
aug–sept 1917   Dr. Auden on leave; dispute with Mrs. Auden about a mistress in Egypt
sept 1917–feb 1919   Dr. Auden serving as a military medical administrator in Britain and France
ca winter 1917   shamed for his appetite in front of the school: “I see, Auden, you want the Huns to win”
ca feb 1919   Dr. Auden is demobilized and returns home
summer 1919   Auden family moves to Harborne, a Birmingham suburb; Dr. Auden suffers an attack of encephalitis lethargica
ca aug 1919   visits the North Pennines for the first time
ca march / april 1920   sex with the school chaplain at St. Edmund’s
oct 1920   starts at Gresham’s School in Norfolk
july 1921   plays Ursula in the Gresham’s production of Much Ado About Nothing
march 1922   as Auden walks with Robert Medley in a ploughed field, Medley inspires him to start writing poetry
july 1922   plays Katharina, the “shrew,” in the Gresham’s production of The Taming of the Shrew
aug 1922   walking tour in the Lake District with his brother John and Dr. Auden
ca 1924 /1925   the Audens buy Wesco in the village of Threlkeld in the Lake District
july 1925   plays Caliban in the Gresham’s production of The Tempest
ca july 1925   writes “The Dying House”
aug 1925   first journey abroad: with Dr. Auden to Salzburg and Kitzbühel
oct 1925   goes up to Christ Church, Oxford, intending to read natural science
march–april 1926   writes “‘Lead’s the Best’”
may 1926   drives a car for the Trades Union Congress in London during the General Strike; reads The Waste Land and adopts a modernist poetic style
sept 1926   switches to reading for an undergraduate degree in English literature
dec 1926–jan 1927   visits Austria again
june 1927   submits a book of poems to T. S. Eliot: rejected in September with mild encouragement
june / july 1927   drops his Eliotic modernist style and writes “I chose this lean country”
july–aug 1927   spends a tortured holiday with his father in Yugoslavia; perhaps writes his first poem abroad
aug 1927   writes “Who stands, the crux left of the watershed”
oct 1927   meeting with Eliot in London
dec 1927   starts drafting Paid on Both Sides
jan 1928   writes “Control of the Passes was, he saw, the...

Erscheint lt. Verlag 27.8.2024
Sprache englisch
Themenwelt Literatur
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-571-38634-2 / 0571386342
ISBN-13 978-0-571-38634-5 / 9780571386345
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