The Handbook on Music Business and Creative Industries in Education

Buch | Hardcover

240 Seiten

2024
Equinox Publishing Ltd (Verlag)
978-1-80050-592-6 (ISBN)

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The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Creative arts professions (music, media, and performance) remain in a period of flux. As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a "state of the field" on educational and pedagogical issues in the music business and the creative industries has yet to be created. Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education.The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the "front lines" in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada. Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

Daniel Walzer is Assistant Professor of Music and Arts Technology at Indiana University Purdue University of Indianapolis.

Introduction:
Editor’s Welcome

Daniel
Walzer

Chapter
1: Music Business Education: A German Perspective

Martin
Lücke, Macromedia
University of Applied Sciences, Berlin

Chapter
2: Running a Student-Led Music Label-Design, Delivery and Evaluation
of Music Business and Professional Practice Training

Ian
Stevenson, Jeff Crabtree and Monica Rouvellas, all at University of
Technology, Sydney

Chapter
3: Embedding Effectual Entrepreneurship Across the Music Business
Curriculum

Jeremy
Peters, Wayne State University

Chapter
4: Thinking Out Loud: The 5Rs of Musicians’ Project and Career
Decision Making

Mathew
Flynn, University of Liverpool

Chapter
5: How Do I Look? The Importance of Visual Analysis for Musicians in
Popular Music Higher Education

Helen
Elizabeth Davies, Liverpool Institute for Performing Arts

Chapter
6: Songwriting, Visuality and Technological Determinism–Exploring
Artistic Responses to Perceived Negative Effects of Streaming on
Songwriting and Production

Hussein
Boon, University of Westminster

Chapter
7: Anyone Can be a Musician: Art School Pedagogy and the Rise of the
NonMusician

Simon
Strange, Bath Spa University

Chapter
8: Scaling Up: Teaching Contemporary Music Through Repertoire
Structures

Sean
Foran, Jade O’Regan, University of Sydney, Vincent Perry, Charles
Darwin University, and Tom O’Halloran, Edith Cowan University

Chapter
9: “How NOT to land an internship”: A Case Study of Experiential
Learning in Sound Recording and Music Production Education

Kirk
McNally, University of Victoria

Chapter
10: Putting Down Roots: Making Music and Embracing Messiness in
Graduate School

Taylor
Ackley, Brandeis University, and Joe Sferra

Chapter
11: Reconceptualising Higher Education Programs in Music for a
Rapidly Changing Global Creative Industries Sector: An Australian
Perspective

Ryan
Daniel, James Cook University

Erscheinungsdatum	03.10.2024
Reihe/Serie	Music Industry Studies
Zusatzinfo	14 black and white figures
Verlagsort	London
Sprache	englisch
Maße	156 x 234 mm
Gewicht	132 g
Themenwelt	Kunst / Musik / Theater ► Musik
	Sozialwissenschaften ► Kommunikation / Medien ► Journalistik
	Sozialwissenschaften ► Pädagogik
	Wirtschaft ► Volkswirtschaftslehre ► Mikroökonomie
ISBN-10	1-80050-592-2 / 1800505922
ISBN-13	978-1-80050-592-6 / 9781800505926
Zustand	Neuware