Cybersounds
Peter Lang Publishing Inc (Verlag)
978-0-8204-7861-6 (ISBN)
Contents: Michael D. Ayers: Introduction – Elizabeth A. Buchanan: Deafening Silence: Music and the Emerging Climate of Access and Use – Markus Giesler: Cybernetic Gift Giving and Social Drama: A Netnography of the Napster File-Sharing Community – Andrew Whelan: Do U Produce?: Subcultural Capital and Amateur Musicianship in Peer-to-Peer Networks – Andre Pinard/Sean Jacobs: Building a Virtual Diaspora: Hip-Hop in Cyberspace – Adam Haupt: The Technology of Subversion: From Digital Sampling in Hip-Hop to the MP3 Revolution – Michael D. Ayers: The Cyberactivism of a Dangermouse – Daragh O’Reilly/Kathy Doherty: Music B(r)ands Online and Constructing Community: The Case of New Model Army – Chris Anderton: Beating the Bootleggers: Fan Creativity, «Lossless» Audio Trading, and Commercial Opportunities – Gabrielle Consentino: «Hacking» the iPod: A Look inside Apple’s Portable Music Player – Trace Reddell: The Social Pulse of Telharmonics: Functions of Networked Sound and Interactive Webcasting – John Ryan/Michael Hughes: Breaking the Decision Chain: The Fate of Creativity in the Age of Self-Production – Jonathan Sterne: Afterword: On the Future of Music.
| Reihe/Serie | Digital Formations ; 32 | Digital Formations ; 31 |
|---|---|
| Zusatzinfo | Illustrations |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 160 x 230 mm |
| Gewicht | 410 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Mathematik / Informatik ► Informatik | |
| Sozialwissenschaften ► Soziologie ► Mikrosoziologie | |
| ISBN-10 | 0-8204-7861-X / 082047861X |
| ISBN-13 | 978-0-8204-7861-6 / 9780820478616 |
| Zustand | Neuware |
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