Real Country
Duke University Press (Verlag)
978-0-8223-3348-7 (ISBN)
In Lockhart, Texas, a rural working-class town just south of Austin, country music is a way of life. Conversation slips easily into song, and the songs are full of conversation. Anthropologist and musician Aaron A. Fox spent years in Lockhart making research notes, music, and friends. In Real Country, he provides an intimate, in-depth ethnography of the community and its music. Showing that country music is deeply embedded in the textures of working-class life, Fox argues that it is the cultural and intellectual property of working-class people and not only of the Nashville-based music industry or the stars whose lives figure so prominently in popular and scholarly writing about the genre.Fox spent hundreds of hours observing, recording, and participating in talk and music-making in homes, beer joints, and garage jam sessions. He renders the everyday life of Lockhart’s working-class community in detail, right down to the ice cold beer, the battered guitars, and the technical skills of such local musical legends as Randy Meyer and Larry “Hoppy” Hopkins. Throughout, Fox focuses on the human voice. His analyses of conversations, interviews, songs, and vocal techniques show how feeling and experience are expressed, and how local understandings of place, memory, musical aesthetics, working-class social history, race, and gender are shared. In Real Country, working-class Texans re-imagine their past and give voice to the struggles and satisfactions of their lives in the present through music.
Aaron A. Fox is Associate Professor of Music and Director of the Center for Ethnomusicology at Columbia University. He is a guitarist and singer who has played with many bands in Texas. He has hosted country music radio programs on several stations in New York City and continues to guest-host shows on a regular basis. To visit Aaron A. Fox's website and blog, please click here.
Preface ix
A Note on Transcription Conventions xiii
Prelude: “Turns” 1
1. Voicing Working-Class Culture 20
2. Knowing Lockhart: Two Perspectives 46
3. “Out on the Country”: Space, Time, and Stereotype 74
4. “The Fool in the Mirror”: Self, Person, and Subjectivity 107
5. “Feeling” and “Relating”: Speech, Song, Story, and Emotion 152
Interlude: Photo Essay 193
6. “Bring Me Up in a Beer Joint”: The Poetics of Speech and Song 214
7. “The Women Take Care of That”: Engendering Working-Class Culture 249
8. The Art of Singing: Speech and Song in Performance 272
9. “I Hang My Head and Cry”: The Character of the Voice 300
Coda: Indigenous to Modernity 317
Notes 323
Appendix 357
Index 359
| Zusatzinfo | 40 b&w photos, 1 figure |
|---|---|
| Verlagsort | North Carolina |
| Sprache | englisch |
| Maße | 156 x 226 mm |
| Gewicht | 522 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
| Sozialwissenschaften ► Soziologie ► Makrosoziologie | |
| ISBN-10 | 0-8223-3348-1 / 0822333481 |
| ISBN-13 | 978-0-8223-3348-7 / 9780822333487 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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