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The Aura of the Word in the Early Age of Print (1450-1600) - Samuel Mareel

The Aura of the Word in the Early Age of Print (1450-1600)

(Autor)

Buch | Softcover
232 Seiten
2019
Routledge (Verlag)
978-0-367-88017-0 (ISBN)
CHF 62,90 inkl. MwSt
Did the invention of movable type change the way that the word was perceived in the early modern period? In this volume, contributors from a variety of disciplines look at the early modern word as an entity whose significance derived not simply from its semantic meaning but also from its relationship to its material support, to the physical context
Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.

Jessica Buskirk is Instructor in visual studies at Technical University Dresden, Germany. Samuel Mareel works as an exhibition curator for the city of Mechelen and the Royal Museum of Fine Arts in Antwerp and is a visiting professor in the Department of Literary Studies at Ghent University, Belgium.

Table of Contents to come.

Erscheinungsdatum
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 453 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
Sozialwissenschaften Kommunikation / Medien Journalistik
Wirtschaft
ISBN-10 0-367-88017-2 / 0367880172
ISBN-13 978-0-367-88017-0 / 9780367880170
Zustand Neuware
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