The Art of the English Trade Gun in North America
Seiten
2018
McFarland & Co Inc (Verlag)
978-0-7864-7115-7 (ISBN)
McFarland & Co Inc (Verlag)
978-0-7864-7115-7 (ISBN)
Designing symbolic meaning into ornamentation is a long-standing Western artistic tradition, a practice deeply rooted in classical Greek and Roman art. This volume directly addresses the question of why particular ornamental patterns of known symbolic significance were chosen by eighteenth century English gunmakers for Native American trade guns.
Designing symbolic meaning into ornamentation is a long-standing Western artistic tradition, a practice deeply rooted in classical Greek and Roman art. The author directly addresses the question of why particular ornamental patterns of known symbolic significance were chosen by eighteenth century English gunmakers for Native American trade guns. The dynamic, multi-level allegorical symbolism is nothing less than astonishing. The origin of Native Americans as noble savages and as symbols of liberty are argued to be ideas firmly rooted in European classical mythology. Closely related is the development of national symbols of liberty within the American Revolution. A single overarching European allegorical framework is shown to provide a common symbolism of English trade guns, early images of American Indians, and the identity of the early American republic. Ornamentation of firearms gifted and traded to American Indians documents the use of these symbols. By drawing upon deep mythologies of Europe, English gun designers also inadvertently incorporated artwork having deep spiritual significance to many American Indians, helping to account for the long uninterrupted use of the ornamentations.
Designing symbolic meaning into ornamentation is a long-standing Western artistic tradition, a practice deeply rooted in classical Greek and Roman art. The author directly addresses the question of why particular ornamental patterns of known symbolic significance were chosen by eighteenth century English gunmakers for Native American trade guns. The dynamic, multi-level allegorical symbolism is nothing less than astonishing. The origin of Native Americans as noble savages and as symbols of liberty are argued to be ideas firmly rooted in European classical mythology. Closely related is the development of national symbols of liberty within the American Revolution. A single overarching European allegorical framework is shown to provide a common symbolism of English trade guns, early images of American Indians, and the identity of the early American republic. Ornamentation of firearms gifted and traded to American Indians documents the use of these symbols. By drawing upon deep mythologies of Europe, English gun designers also inadvertently incorporated artwork having deep spiritual significance to many American Indians, helping to account for the long uninterrupted use of the ornamentations.
Nathan Bender is a librarian/archivist in Laramie, Wyoming, and an independent research folklorist. He has published on western folklore and history, historic archaeology and material culture, and Native American studies in academic and scholarly books and journals.
Table of Contents
Preface
Introduction: Designing Beauty for a New World
1. Light Fusils for the Iroquois
2. Broad Arrow and Sitting Fox
3. St. George and the Dragon
4. Chief’s Gun Patterns and Ornamentation
5. Arrows of Artemis
6. Diana and the Dragon
7. America and the Noble Savage
8. American Liberty
9. Respect for Arrows
Bibliography
Index
Erscheinungsdatum | 01.08.2018 |
---|---|
Zusatzinfo | 98 photographs |
Verlagsort | Jefferson, NC |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 250 g |
Themenwelt | Kunst / Musik / Theater ► Antiquitäten |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Sachbuch/Ratgeber ► Freizeit / Hobby ► Sammeln / Sammlerkataloge | |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-7864-7115-8 / 0786471158 |
ISBN-13 | 978-0-7864-7115-7 / 9780786471157 |
Zustand | Neuware |
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