The Lived Experience of Improvisation (eBook)
267 Seiten
Intellect Books Ltd (Verlag)
978-1-78320-675-9 (ISBN)
Improvisation is crucial to a wide range of artistic activities – most prominently, perhaps, in music, but extending to other fields of experience such as literature and pedagogy. Yet it gets short shrift in both appreciation and analysis of art within education. This is in no small part due to our tendency to view the world in fixed categories and structures that belie our ability to generate creative, groundbreaking responses within and between those structures.
The Lived Experience of Improvisation draws on an analysis of interviews with highly regarded improvisers, including Roscoe Mitchell, Pauline Oliveros and George Lewis. Simon Rose also exploits his own experience as a musician and teacher, making a compelling case for bringing back improvisation from the margins. He argues that improvisation is a pervasive aspect of being human and that it should be at the heart of our teaching and understanding of the world.
Improvisation is crucial to a wide range of artistic activities - most prominently, perhaps, in music, but extending to other fields of experience such as literature and pedagogy. Yet it gets short shrift in both appreciation and analysis of art within education. This is in no small part due to our tendency to view the world in fixed categories and structures that belie our ability to generate creative, groundbreaking responses within and between those structures. The Lived Experience of Improvisation draws on an analysis of interviews with highly regarded improvisers, including Roscoe Mitchell, Pauline Oliveros and George Lewis. Simon Rose also exploits his own experience as a musician and teacher, making a compelling case for bringing back improvisation from the margins. He argues that improvisation is a pervasive aspect of being human and that it should be at the heart of our teaching and understanding of the world.
lt;div>Simon Rose is a musician, author and researcher from London, England based in Berlin, Germany. He performs on baritone and alto saxophones in numerous collaborations and as soloist. He also collaborates beyond music with dancers, visual artists, mixed media, built instruments, site specific performance and more. His research interest is in creative processes.
Preface
Part 1
Chapter 1: Human Improvisation
Chapter 2: The Development of Improvisation
Chapter 3: The Agency of Improvisation
Chapter 4: Improvisation and Knowledge
Part 2
Chapter 5: Recognizing Improvisation
Chapter 6: Process
Chapter 7: Learning
Chapter 8: Body
Chapter 9: Approaches
Chapter 10: The Capacity of Improvisation
Part 3
The Interviews
Roscoe Mitchell, Maggie Nicols, John Butcher, Pauline Oliveros, George Lewis, Mick Beck, Tristan Honsinger, Alan Tomlinson, Sven-Ake Johansson, Bob Ostertag
| Erscheint lt. Verlag | 3.1.2017 |
|---|---|
| Reihe/Serie | Contemporary Music Making and Learning |
| Contemporary Music Making and Learning | |
| ISSN | ISSN |
| Verlagsort | Bristol |
| Sprache | englisch |
| Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Musik ► Jazz / Blues | |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Sozialwissenschaften ► Pädagogik ► Allgemeines / Lexika | |
| Sozialwissenschaften ► Pädagogik ► Bildungstheorie | |
| ISBN-10 | 1-78320-675-6 / 1783206756 |
| ISBN-13 | 978-1-78320-675-9 / 9781783206759 |
| Haben Sie eine Frage zum Produkt? |
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