Choreomania

Dance and Disorder

Kelina Gotman (Autor)

Buch | Hardcover

382 Seiten

2018
Oxford University Press Inc (Verlag)
978-0-19-084041-9 (ISBN)

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From the condemnation of protest to skepticism of religious ecstasy, radical movement has been defined by freedoms and restrictions relative to class conflict, national policy, and colonialism. In this book, author Kélina Gotman examines choreographies of unrest, rethinking the modern formation of choreomania, a fantastical concept across scientific disciplines used to designate the spontaneous and uncontrolled movements of crowds. In these misformations of body politics, prejudices against spontaneity unravel, suggesting widespread anxieties about impulsiveness and irregularity. In tandem with dialogues of the erratic, Gotman makes use of histories of nineteenth-century control which identify the period as one of increasing regimentation. As she notes, constraints on movement signal constraints on political power and agency and on individuals' capacity to shift their allegiances, inhabiting more hospitable terrains. In each chapter, Gotman confronts the many ways choreomania functions as an extension of colonialism, dismissing expressive bodies as mentally and physically infected others. Through her research, Gotman unearths the many instances of choreomania that represent collective efforts to escape social tyranny inflicted by the upper class.

Kélina Gotman is Lecturer in Theatre and Performance Studies at King's College London. She is translator among others of Félix Guattari's The Anti-Oedipus Papers (2006) and collaborates widely on dance and theatre productions in Europe and North America.

CONTENTS

List of illustrations
Foreword
Preface
Acknowledgments

Introduction: Choreomania, Another Orientalism

Part I: Excavating Dance in the Archives
1. Obscuritas Antiquitatis: Institutions, Affiliations, Marginalia
2. Madness after Foucault: Medieval Bacchanals
3. Translatio: St. Vitus's Dance, Demonism and the Early Modern
4. The Convulsionaries: Antics on the French Revolutionary Stage
5. Mobiles, Mobs and Monads: Nineteenth-Century Crowd Forms
6. Médecine Rétrospective: Hysteria's Archival Drag

Part II: Colonial and Postcolonial Stages: Scenes of Ferment in the Field
7. "Sicily Implies Asia and Africa": Tarantellas and Comparative Method
8. Ecstasy-belonging in Madagascar and Brazil
9. Ghost Dancing: Excess, Waste and the American West
10. "The Gift of Seeing Resemblances": Cargo Cults in the Antipodes
11. Monstrous Grace: Blackness and the New Dance "Crazes"
12. Coda: Moving Fields, Modernity and the Bacchic Chorus

Bibliography

Erscheinungsdatum	12.06.2018
Reihe/Serie	Oxford Studies in Dance Theory
Zusatzinfo	23 halftones
Verlagsort	New York
Sprache	englisch
Maße	257 x 183 mm
Gewicht	850 g
Themenwelt	Kunst / Musik / Theater ► Musik
	Kunst / Musik / Theater ► Theater / Ballett
	Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport
	Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918)
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Sozialwissenschaften
ISBN-10	0-19-084041-2 / 0190840412
ISBN-13	978-0-19-084041-9 / 9780190840419
Zustand	Neuware