The Viennese Waltz
Decadence and the Decline of Austria’s Unconscious
Seiten
2024
Lexington Books (Verlag)
978-1-7936-5394-9 (ISBN)
Lexington Books (Verlag)
978-1-7936-5394-9 (ISBN)
This book shows how over the hundred years between the Vienna Congress and the dissolution of the Empire, the waltz altered from signifier of upper-class artifice—covering with glitz and glamour the poverty and war central to the time—to the link between the three classes, between man and nature, and between Viennese and “Other.”
Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern’s pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic “second state” analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 – 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and “Other.” Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychological anxiety of a subject’s place in society.
Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern’s pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic “second state” analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 – 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and “Other.” Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychological anxiety of a subject’s place in society.
Danielle Hood received her PhD in musicology from the University of Leeds.
Chapter 1. Topics in Fin-de-Siècle Vienna
Chapter 2. Evolution of Viennese Cultural-Historical Topics: Romance, Freud, and
Authenticity
Chapter 3. The Waltz and the “Other”
Chapter 4. Narrative and Deception
Chapter 5. The Development of the Uncanny Narrative
Chapter 6 Part 1. The Waltz and the Uncanny in Mahler’s Seventh Symphony
Chapter 6 Part 2. Mahler’s Scherzos and the Uncanny Waltz
Chapter 7. The Waltz as Pivot Point in Webern’s Symphony Op. 21
| Erscheinungsdatum | 21.03.2024 |
|---|---|
| Verlagsort | Lanham, MD |
| Sprache | englisch |
| Maße | 151 x 228 mm |
| Gewicht | 295 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| ISBN-10 | 1-7936-5394-1 / 1793653941 |
| ISBN-13 | 978-1-7936-5394-9 / 9781793653949 |
| Zustand | Neuware |
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Buch | Hardcover (2023)
Frankfurter Allgemeine Buch (Verlag)
CHF 38,90
