New Vocabularies in Film Semiotics
Structuralism, post-structuralism and beyond
Seiten
1992
Routledge (Verlag)
978-0-415-06594-8 (ISBN)
Routledge (Verlag)
978-0-415-06594-8 (ISBN)
An indispensable lexicon for film theory, defining over 500 critical terms. It contains references to the work of key figures such as Peirce, Doane, Genette and Derrida and examples drawn from the films of directors like Welles, Varda and Hitchcock.
First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.
First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.
Robert Stam is Professor of Cinema Studies at New York University. Robert Burgoyne is Associate Professor of English at Wayne State University. Sandy Flitterman-Lewis is Associate Professor of English and Cinema Studies at Rutgers University.
Notes on the contributors, Preface, Part I The Origins of Semiotics, Part II Cine-semiology, Part III Film-narratology, Part IV Psychoanalysis, Part V From realism to intertextuality, Bibliography, Index of terms
| Erscheint lt. Verlag | 26.3.1992 |
|---|---|
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 566 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Fotokunst | |
| Sachbuch/Ratgeber ► Freizeit / Hobby ► Fotografieren / Filmen | |
| Schulbuch / Wörterbuch ► Lexikon / Chroniken | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Sprachwissenschaft | |
| ISBN-10 | 0-415-06594-1 / 0415065941 |
| ISBN-13 | 978-0-415-06594-8 / 9780415065948 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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