Basic Principles of Classical Ballet (eBook)
192 Seiten
Dover Publications (Verlag)
978-0-486-12105-5 (ISBN)
Although the stars of Russian ballet Anna Pavlova and Tamara Karsavina possessed a national manner of dancing, there was no truly Russian school of dancing until the 1930s. The development of this school was largely due to Mme. Vaganova (1879–1951), not only a great dancer but also the teacher of Galina Ulanova and many others and an unsurpassed theoretician.The principles of Vaganova's system are presented in this well-known book. Mme. Vaganova's aim of creating a personal approach to the Russian dance was based on the critical assimilation of the experience of her contemporaries. Her ability to choose the best of what had been accomplished in the various ballet traditions (French, Italian, and Russian) and combine these into a unified teaching practice in itself amounted to a new school of dance. She firmly believed that the teaching process should be a planned exercise, ever changing with innovations in the dance. She sought from her pupils emotional expressiveness, strictness of form, a resolute, energetic manner of performance, and the understanding of the underlying coordination of movements.Her book discusses all basic principles of ballet, grouping movements by fundamental types. Chapters cover battements, rotary movements of the legs, the arms, poses of the classical dance, connecting and auxiliary movements, jumps, beats, point work, and turns as well as material for a sample lesson. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. The result is a fundamental theory of dance that offers dancers, teachers, and ballet lovers information often difficult to locate in other books. 118 illustrations.
Erscheint lt. Verlag | 18.4.2012 |
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Sprache | englisch |
Maße | 140 x 140 mm |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
Schlagworte | arabesques • aspiring dancer • Ballerina • ballet classes • ballet dancers • ballet experience • ballet moves • Ballets • ballet steps • ballet students • ballet teacher • ballet terminology • ballet terms • ballet training • barre • Beginners • body positions • books on arabesques • books on ballerinas • books on ballet classes • books on ballet dancers • books on ballets • books on ballet steps • books on ballet teachers • books on barre • books on beginners • books on body positions • books on dance anatomies • books on dance classes • books on dance educations • books on dance movements • books on dance moves • books on dance students • books on dance teachers • books on definitions • books on diagrams • books on dictionaries • books on french schools • books on french terms • books on instructors • books on jacqui • books on kinesiologies • books on line drawings • books on male dancers • books on muscles • books on physical therapists • books on pronunciation guides • books on strengthening exercises • books on stretches • books on syllabuses • books on workouts • choreographic • dance anatomy • dance classes • Dance Education • dance movements • Dance Moves • dance students • dance teachers • Definitions • Diagrams • dictionary • french school • french terms • hamstring • Instructors • invaluable • jacqui • Kinesiology • learn ballet • Line drawings • lisa howell • male dancer • muscles • physical therapists • Pointe • pronunciation guide • reviews please • Russian • russian ballet • serious ballet • strengthen exercises • strengthening exercises • stretches • Syllabus • taking ballet • Workout |
ISBN-10 | 0-486-12105-4 / 0486121054 |
ISBN-13 | 978-0-486-12105-5 / 9780486121055 |
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