Collaborative Intimacies in Music and Dance

Anthropologies of Sound and Movement

Evangelos Chrysagis, Panas Karampampas (Herausgeber)

Buch | Hardcover

282 Seiten

2017
Berghahn Books (Verlag)
978-1-78533-453-5 (ISBN)

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Across varied domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collaborative dimension of sound and movement in everyday life.

Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.

Evangelos Chrysagis holds a PhD in social anthropology from the University of Edinburgh. His doctoral research explored the intersection of ‘Do-it-Yourself’ (DiY) music practices and ethics in Glasgow. His articles have appeared in the Journal of Cultural Economy and Visual Culture in Britain. Evangelos serves as associate editor of the open-access journal Arts & International Affairs, and his current research focuses on manifestos in contemporary cultural production.

Preface

Introduction: Collaborative Intimacies

Evangelos Chrysagis and Panas Karampampas

PART I: SOUND, MEANING AND SELF-AWARENESS

Chapter 1. Being in Sound: Reflections on Recording while Practicing Aikido and Shakuhachi

Tamara Kohn and Richard Chenhall

Chapter 2. Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London

Yuki Imoto

PART II: PEDAGOGIES OF BODILY MOVEMENT

Chapter 3. Kinaesthetic Intimacy in a Choreographic Practice

Brenda Farnell and Robert N. Wood

Chapter 4. The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman

Bethany Whiteside

PART III: MUSIC PRACTICES AND ETHICAL SELFHOOD

Chapter 5. The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles

James Butterworth

Chapter 6. A Sense of Togetherness: Music Promotion and Ethics in Glasgow

Evangelos Chrysagis

PART IV: BODIES DANCING IN TIME AND ACROSS SPACE

Chapter 7. Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience

Ruxandra Ana

Chapter 8. Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’: Exploring Dance in Korydallos, Attica, Greece

Mimina Pateraki

PART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDS

Chapter 9. Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth Scene

Panas Karampampas

Chapter 10. The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)

Borut Telban

Index

Erscheinungsdatum	26.04.2017
Reihe/Serie	Dance and Performance Studies
Verlagsort	Oxford
Sprache	englisch
Maße	152 x 229 mm
Themenwelt	Kunst / Musik / Theater ► Musik
	Kunst / Musik / Theater ► Theater / Ballett
	Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport
	Sozialwissenschaften ► Ethnologie
	Sozialwissenschaften ► Soziologie
ISBN-10	1-78533-453-0 / 1785334530
ISBN-13	978-1-78533-453-5 / 9781785334535
Zustand	Neuware