Performing Hybridity in Colonial-Modern China
Seiten
2015
|
1st ed. 2013
Palgrave Macmillan (Verlag)
978-1-349-45504-1 (ISBN)
Palgrave Macmillan (Verlag)
978-1-349-45504-1 (ISBN)
In Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.
Siyuan Liu is an assistant professor in the Department of Theatre and Film at the University of British Columbia, Canada.
Introduction: Modernity, Interculturalism, and Hybridity 1. Emergence of the National Theatrical Discourse 2. Hybrid Sources: Western, Japanese, and Chinese 3. Hybridization in Shanghai 4. Literary Hybridity: Scripts and Scenarios 5. Translative Hybridity: Acculturation and Foreignization 6. Performance Hybridity: The Search for Conventions
| Erscheinungsdatum | 06.07.2020 |
|---|---|
| Reihe/Serie | Palgrave Studies in Theatre and Performance History |
| Zusatzinfo | XIII, 245 p. |
| Verlagsort | Basingstoke |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| Sozialwissenschaften ► Soziologie | |
| Schlagworte | 20th century • Acculturation • China • Chinese • discourse • Elements • Form • Hybridity • Hybridization • iOS 5 • Japan • Japanese • Performance • Theatre • Twentieth century |
| ISBN-10 | 1-349-45504-0 / 1349455040 |
| ISBN-13 | 978-1-349-45504-1 / 9781349455041 |
| Zustand | Neuware |
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