Animal Remains
Routledge (Verlag)
978-0-367-65512-9 (ISBN)
To make sense of the material afterlives of animals, this book draws together multispecies perspectives from literary criticism and theory, cultural studies, anthropology and ethnography, photographic and film history, and contemporary art practice to offer the first synoptic account of animal remains. Interpreting them in all their ubiquity, diversity, and persistence, Animal Remains reveals posthuman relations between human and non-human communities of the living and the dead, on timescales of decades, centuries, and millennia.
Sarah Bezan is Postdoctoral Research Associate in Perceptions of Biodiversity Change at The University of York’s Leverhulme Centre for Anthropocene Biodiversity in the UK. Her research focuses on the entangled social and ecological dimensions of species loss and revival in contemporary British, North American, and Australian literature and visual culture. She is currently at work on two book projects: Dead Darwin: Necro-Ecologies in Neo-Victorian Culture (under advance contract with Manchester University Press), along with a second monograph (in progress) that examines species revivalist representations of the woolly mammoth, great auk, dodo, Steller’s sea cow, thylacine, and Pinta Island tortoise. Robert McKay is Professor of Contemporary Literature at the University of Sheffield, where he is Co-director of the Sheffield Animal Studies Research Centre. He has published widely on the politics of species in modern and contemporary literature and film, including the co-edited volumes The Palgrave Handbook of Animals and Literature (Palgrave, 2021) and Werewolves, Wolves and the Gothic (Wales UP, 2017). He is series Co-editor for Palgrave Studies in Animals and Literature and Associate Editor (Literature) for Society & Animals.
Animal Remains: An Introduction
Sarah Bezan and Robert McKay
I. Fossil Figurations
J.G. Ballard’s Fossil Imaginaries: Apocalypse, Deep Time and Deathly Life
Peter Sands
Photographing Dead Animals: Taphonomy as Embedded Media
Ana María Gómez López
II. Extinction Futures
Snail Trails: A Foray into Disappearing Worlds, Written in Slime
Thom van Dooren
Making Specimens Sacred: Putting the Bodies of Solitario Jorge and Cụ Rùa on Display
Gitte Westergaard and Dolly Jørgensen
A Tale of Two Bucardo: Laña, Celia, and the Contested Meanings of Animal Remains
Adam Searle
III. The Political Cultural Lives of Animal Remains
Beef, Bull and Ballyhoo: America’s Cattle-Cinema Complex
Michael Lawrence
Read Meat
Robert McKay
Le Voreux: Scenes of Animal Labour in Émile Zola’s Germinal
Dinesh Wadiwel
IV. Empire, Colony: Animal Remains as Infrastructure
Making Cows Live: Bovine Remains and the Rise of Hindu Nationalism
Sundhya Walther
Before The Thing: Viruses, Sled Dogs, Seabirds, and Science Fiction
Lucinda Cole
V. Ethics and Affects: Mourning Animal Remains
Between Data and Affect: Interspecific Accommodation in the Models of Art
Mark Wilson and Bryndis Snæbjörnsdóttir
Up in Smoke: Cremation, Mourning, and the Afterdeaths of Bodily Remains for Companion Animals
Jane Desmond
Fish Market, Lagos: Artist Pages and Supporting Statement
Steve Baker
| Erscheinungsdatum | 01.12.2021 |
|---|---|
| Reihe/Serie | Perspectives on the Non-Human in Literature and Culture |
| Zusatzinfo | 31 Halftones, black and white; 31 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 453 g |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Naturwissenschaften ► Biologie | |
| Technik ► Umwelttechnik / Biotechnologie | |
| ISBN-10 | 0-367-65512-8 / 0367655128 |
| ISBN-13 | 978-0-367-65512-9 / 9780367655129 |
| Zustand | Neuware |
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