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Restoration of Motion Picture Film -  Mark-Paul Meyer,  Paul Read

Restoration of Motion Picture Film (eBook)

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2000 | 1. Auflage
368 Seiten
Elsevier Science (Verlag)
978-0-08-051619-6 (ISBN)
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(CHF 129,95)
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This is the first book to bring together the work of a modern motion picture film laboratory together with the specialist techniques for preservation and restoration of archival film.

The books data has its origins in a training programme called FILM which was written by members of the Gamma Group with funding from the EU fund Force. The committee comprised senior film archivists and technicians in charge of film conservation departments or working film laboratories within national film archives, together with technicians from commercial laboratories which specialise in archival film conservation and who do not work for national and local archives. The final group consisted of many of the most experienced individuals in their fields.

Restoration of Motion Picture Film is an extremely informative, well-researched book which is an unmissable addition to the bookshelves of conservators, archivists and curators worldwide. Film history and film conservation students will also find it of great interest and use.

* Only book in English on this subject
* Prepared by leading specialists in their field
* Includes coverage of digital technology
This is the first book to bring together the work of a modern motion picture film laboratory together with the specialist techniques for preservation and restoration of archival film.The books data has its origins in a training programme called FILM which was written by members of the Gamma Group with funding from the EU fund Force. The committee comprised senior film archivists and technicians in charge of film conservation departments or working film laboratories within national film archives, together with technicians from commercial laboratories which specialise in archival film conservation and who do not work for national and local archives. The final group consisted of many of the most experienced individuals in their fields.Restoration of Motion Picture Film is an extremely informative, well-researched book which is an unmissable addition to the bookshelves of conservators, archivists and curators worldwide. Film history and film conservation students will also find it of great interest and use.* Only book in English on this subject* Prepared by leading specialists in their field* Includes coverage of digital technology

Cover 1
Contents 6
Editors’ preface 8
Chapter 1. Introduction to the restoration of motion picture film Mark-Paul Meyer 10
PART 1: CINEMATOGRAPHIC TECHNOLOGY 16
Chapter 2. Light, sound and audiovisual perception 18
Chapter 3. Before motion pictures 21
Chapter 4. The film making industry 27
Chapter 5. Talking motion pictures 34
Chapter 6. Editing, cutting and post-production 44
Chapter 7. Colour 49
Chapter 8. Motion picture film materials 54
PART 2: RECONSTRUCTING A FILM 60
Chapter 9. Identification of archive film and interpretation of historical data 62
Chapter 10. Principles of film restoration and film reconstruction 78
PART 3: IMAGE AND SOUND RESTORATION 60
Chapter 11. Film damage, repair and preparation 92
Chapter 12. Sensitometry and quality control 114
Chapter 13. Printing 135
Chapter 14. Grading 158
Chapter 15. Principles of duplication and contrast control 166
Chapter 16. Processing 176
Chapter 17. The restoration and duplication of early coloured films 189
Chapter 18. Restoration of natural colour film 204
Chapter 19. Restoration of film sound 219
Chapter 20. Video images and digital restoration of archival film 225
PART 4: TECHNIQUES AND CASE STUDIES 238
Chapter 21. Menschem am Sonntag: a reconstruction and documentation case study 240
Chapter 22. The reconstruction of F.W. Murnau’s Faust (1926): a case study Luciano Berriatúa 251
Chapter 23. Film bases and tests 256
Chapter 24. Deshrinking and other treatments 261
Chapter 25. Scratch treatments 264
Chapter 26. Film cements 266
Chapter 27. Printers for shrunken film 267
Chapter 28. Production of a grader training aid 271
Chapter 29. Black and white duplication methods 275
Chapter 30. Flashing techniques for film 278
Chapter 31. Original tinting and toning techniques and their adaption for the restoration of archive film 280
Chapter 32. Recording and reproducing the original tints and tones of Quo Vadis (1912): a technical case study 290
Chapter 33. The Desmet method for restoring tinted and toned films 296
Chapter 34. Laboratory Aim Density values and other useful data for duplication 300
Chapter 35. Duplication of colour negatives using colour intermediate film stocks 302
Chapter 36. Duplication of colour prints using colour internegative (or camera negative) film stocks 304
Chapter 37. Black and white separations for duplicating, preserving and restoring colour negatives and prints 307
Chapter 38. Notes on the schematic diagrams of Technicolor restoration routes 313
Chapter 39. Notes on restoring subtractive two-colour process prints 319
Chapter 40. Sound restoration case studies 323
Glossary of terms 326
Bibliography 351
Index 366

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