Darwin's Pictures
Views of Evolutionary Theory, 1837-1874
Seiten
2010
Yale University Press (Verlag)
978-0-300-14174-0 (ISBN)
Yale University Press (Verlag)
978-0-300-14174-0 (ISBN)
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Examining Charles Darwin's sketches, drawings, and illustrations, this title presents the history of evolutionary theory told in pictures. It details the pictorial history of Darwin's theory of evolution, starting with his notebook sketches of 1837 and ending with the illustrations in "The Expression of Emotions in Man and Animals (1872)".
In this first-ever examination of Charles Darwin’s sketches, drawings, and illustrations, Julia Voss presents the history of evolutionary theory told in pictures. Darwin had a life-long interest in pictorial representations of nature, sketching out his evolutionary theory and related ideas for over forty years. Voss details the pictorial history of Darwin’s theory of evolution, starting with his notebook sketches of 1837 and ending with the illustrations in The Expression of Emotions in Man and Animals (1872). These images were profoundly significant for Darwin’s long-term argument for evolutionary theory; each characterizes a different aspect of his relationship with the visual information and constitutes what can be called an “icon” of evolution. Voss shows how Darwin “thought with his eyes” and how his pictorial representations and the development and popularization of the theory of evolution were vitally interconnected.
Voss explores four of Darwin’s images in depth, and weaves about them a story on the development and presentation of Darwin’s theory, in which she also addresses the history of Victorian illustration, the role of images in science, the technologies of production, and the relationship between specimen, words, and images.
In this first-ever examination of Charles Darwin’s sketches, drawings, and illustrations, Julia Voss presents the history of evolutionary theory told in pictures. Darwin had a life-long interest in pictorial representations of nature, sketching out his evolutionary theory and related ideas for over forty years. Voss details the pictorial history of Darwin’s theory of evolution, starting with his notebook sketches of 1837 and ending with the illustrations in The Expression of Emotions in Man and Animals (1872). These images were profoundly significant for Darwin’s long-term argument for evolutionary theory; each characterizes a different aspect of his relationship with the visual information and constitutes what can be called an “icon” of evolution. Voss shows how Darwin “thought with his eyes” and how his pictorial representations and the development and popularization of the theory of evolution were vitally interconnected.
Voss explores four of Darwin’s images in depth, and weaves about them a story on the development and presentation of Darwin’s theory, in which she also addresses the history of Victorian illustration, the role of images in science, the technologies of production, and the relationship between specimen, words, and images.
Julia Voss, a scholar in history of science, art history, and picture theory, is Executive Editor of the visual arts section of the large German daily newspaper Frankfurter Allgemeine Zeitung. She has received two awards for the German edition of Darwin’s Pictures: the 2006 Otto Hahn Medal from the Max Planck Society and the 2009 Sigmund Freud Prize for Science Writing by the German Academy for Language and Literature. Lori Lantz is the translator of Bears: A Brief History.
| Erscheint lt. Verlag | 15.6.2010 |
|---|---|
| Übersetzer | Lori Lantz |
| Zusatzinfo | 63 b-w + 16 color illus. |
| Sprache | englisch |
| Maße | 140 x 210 mm |
| Gewicht | 522 g |
| Themenwelt | Naturwissenschaften ► Biologie ► Evolution |
| ISBN-10 | 0-300-14174-2 / 0300141742 |
| ISBN-13 | 978-0-300-14174-0 / 9780300141740 |
| Zustand | Neuware |
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