Picturing Shakespeare
Seiten
2024
Anthem Press (Verlag)
978-1-83999-060-1 (ISBN)
Anthem Press (Verlag)
978-1-83999-060-1 (ISBN)
This study investigates the capacity of Shakespeare’s texts – obviously destined for stage performances – to generate mental images and mental colours. Jean-Louis Claret, both a Shakespeare professor at Aix-Marseille University and an illustrator, proposes to shed light on the process that leads from the written text to visual illustration.
This study investigates the capacity of Shakespeare’s texts – obviously destined for stage performances – to generate images and mental colours in the readers’ and in the spectators’ minds. Such notions as Ut pictura poesis and the paragoneare discussed in the first part of this book, along with the function and nature of colours. After considering the sets of correspondences and the major differences between texts and images, the author presents and analyzes some of his own illustrations of Shakespearean characters. Jean-Louis Claret, both a university professor specialized in Shakespeare’s theatre and an illustrator, proposes to shed light on the process that led him from the perusal of the written text to the visualization of visages. The voice of poets is unconventionally called upon to shed light on the complex mechanisms he describes.
This study investigates the capacity of Shakespeare’s texts – obviously destined for stage performances – to generate images and mental colours in the readers’ and in the spectators’ minds. Such notions as Ut pictura poesis and the paragoneare discussed in the first part of this book, along with the function and nature of colours. After considering the sets of correspondences and the major differences between texts and images, the author presents and analyzes some of his own illustrations of Shakespearean characters. Jean-Louis Claret, both a university professor specialized in Shakespeare’s theatre and an illustrator, proposes to shed light on the process that led him from the perusal of the written text to the visualization of visages. The voice of poets is unconventionally called upon to shed light on the complex mechanisms he describes.
Jean-Louis Claret is Associate Professor at Aix-Marseille University, France, where he teaches Elizabethan drama. He is also an illustrator specialized in the representation of Shakespearean characters.
List of Figures; Acknowledgements; Foreword by François-Xavier P. Gleyzon; Critical Gesture: Preface to a Poetics of the Image; Introduction; 1. Dramatic Texts and Images; 2. The Drawings; Conclusion: A Lesson in Love; Bibliography; Index
| Erscheinungsdatum | 02.09.2023 |
|---|---|
| Reihe/Serie | Anthem Studies in Renaissance Literature and Culture |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 153 x 229 mm |
| Gewicht | 454 g |
| Themenwelt | Literatur ► Lyrik / Dramatik ► Dramatik / Theater |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| ISBN-10 | 1-83999-060-0 / 1839990600 |
| ISBN-13 | 978-1-83999-060-1 / 9781839990601 |
| Zustand | Neuware |
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