Exhibiting Irishness
Empire, Race, and Nation, c. 1850-1970
Seiten
2024
Manchester University Press (Verlag)
978-1-5261-5726-3 (ISBN)
Manchester University Press (Verlag)
978-1-5261-5726-3 (ISBN)
This book uncovers that exhibitions uniquely reveal the changing landscape of Irishness over two centuries by analysing the politics of display. It demonstrates how questions of Irishness intersected with broader ideas of citizenship, race and ethnic construction in Ireland, the United Kingdom and the United States. -- .
Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. My research demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland’s political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland. -- .
Exhibiting Irishness analyses how exhibitions enabled Irish individuals and groups to work out (privately and publicly) their politicised existences across two centuries. As a cultural history of Irish identity, the book considers exhibitions as a formative platform for imagining a host of Irish pasts, presents and futures. Fair organisers responded to the contexts of famine and poverty, migration and diasporic settlement, independence movements and partition, as well as post-colonial nation building. My research demonstrates how Irish businesses and labourers, the elite organisers of the fairs and successive Irish governments curated Irishness. The central malleability of Irish identity on display emerged in tandem with the unfolding of Ireland’s political transformation from a colony of the British Empire, a migrant community in the United States, to a divided Ireland in the form of the Republic and Northern Ireland. -- .
Shahmima Akhtar is Assistant Professor of Black and Asian British History at University of Birmingham -- .
Introduction: Irish identities on display
1 Famine and industry: Ireland’s original exhibitions
2 Diaspora and migration: Displayed Ireland abroad
3 Home rule and capitalism: Irish modernities
4 Interwar and partition: A divided Ireland
5 Debt and disagreement: Postcolonial Ireland
Conclusion: Ireland on display
Bibliography
Index -- .
| Erscheinungsdatum | 24.07.2024 |
|---|---|
| Reihe/Serie | Studies in Imperialism |
| Zusatzinfo | 30 black and white illustrations |
| Verlagsort | Manchester |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater |
| Geisteswissenschaften ► Geschichte ► Hilfswissenschaften | |
| Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
| Geschichte ► Teilgebiete der Geschichte ► Wirtschaftsgeschichte | |
| ISBN-10 | 1-5261-5726-8 / 1526157268 |
| ISBN-13 | 978-1-5261-5726-3 / 9781526157263 |
| Zustand | Neuware |
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