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Contemporary British Musicals: ‘Out of the Darkness’

Clare Chandler, Gus Gowland (Herausgeber)

Buch | Softcover
224 Seiten
2024
Methuen Drama (Verlag)
978-1-350-26803-6 (ISBN)
CHF 46,90 inkl. MwSt
The shortest runs can have the longest legacies: for too long, scholarship surrounding British musical theatre has coalesced around the biggest names, ignoring important works that have not had the critical engagement they deserve.

Through academic interrogation and industry insight, this unique collection of essays recognizes these works, shining a light on their creative achievements and legacies. With each chapter focusing on a different significant musical, a selection of shows spanning 2010s are analysed and the development and evolution of the genre is explored.

Touching on key, hit shows such as SIX, Matilda, Everybody's Talking About Jamie, The Grinning Man and Bend it Like Beckham, each chapter discusses different theatrical elements, from dramaturgy and musicology to reception, and also includes an interview with a practitioner related to each musical, providing in-depth understanding and invaluable practical and industry knowledge.

Identifying the intersectionality between industry insight and academic analysis, Contemporary British Musicals: ‘Out of the Darkness’ challenges the narrative that the British musical is dead : creating a new historiography of the British musical that celebrates the work being created, while providing a manifesto for the future.

Gus Gowland is an award-winning musical theatre writer and composer (Pieces of String - The Stage Debut Award 2018) and is also Post Graduate Musical Theatre Co-ordinator at Leeds Conservatoire. Gus has previously worked at University of Lincoln, University Centre Shrewsbury and University of Wolverhampton, all UK, where he obtained his PhD in 2020. His research interests include LGBTQ+ representation in musical theatre and contemporary British musical theatre. Clare Chandler is a musical theatre practitioner and researcher. As a lecturer Clare has worked at the Liverpool Institute for Performing Arts, Edge Hill University and the University of Wolverhampton. She is currently a senior lecturer in Musical Theatre at the University of Lincoln, UK. Clare's research interests include the impact of technology on the development of contemporary musical theatre, feminism and musical theatre, and pedagogical practice and performer training. She directed the national premiere of Angry Birds the Musical by Dougal Irvine in 2018.

Foreword – Kate Marlais
Foreword – Tim Sutton

List of Contributors
List of Images

Introduction

Chapter 1 - Bros Abroad: Masculinities in Transition and Homosocial Bonding in Dougal Irvine’s Departure Lounge - Broderick Chow

Dougal Irvine Interview

Chapter 2 - ‘The Smell of Rebellion’ and ‘The Stench of Revolt’: The Carnivalesque Dramaturgy of Matilda the Musical from Page to Stage - Stephanie Lim

Ellen Kane Interview

Chapter 3 - ‘Glitching’ of gender and temporality in Lift – Jozey Grae

Perfect Pitch Interview - Andy Barnes, Wendy Barnes

Chapter 4 - Bend it Like Beckham: The Musical: Embodying British Identities - Kelsey Blair

Preeya Kalidas Interview

Chapter 5 - Flowers for Mrs Harris: Covid-19, Women’s Work, and the Musical’s ‘some kind of bliss’- Sarah K. Whitfield

Rachel Wagstaff & Richard Taylor Interview

Chapter 6 - ‘You’re him and he is you’: Identification with the Disabled ‘Freak’ in The Grinning Man - Ellen Armstrong

Toby Olié Interview

Chapter 7 - “Something Precious You Don’t Simply Give Away”: Intersections of Love and Queer Expression in Everybody’s Talking About Jamie - Hannah Marie Robbins

Rob Hastie Interview

Chapter 8 - ‘One of a kind, no category’: Coding Race, Gender, and Excess in SIX - Aviva Neff

Josh Bird Interview

Chapter 9 - My Left Right Foot: The Musical – Judith Drake

Noisemaker Interview

Chapter 10 - ‘As if Gathered in a Verbatim Fashion’: The (Mis)Use of Documentary Markers in Chris Bush and Matt Winkworth’s The Assassination of Katie Hopkins - Cyrielle Garson

Lucy Osborne Interview

Conclusion

Erscheinungsdatum
Verlagsort London
Sprache englisch
Maße 169 x 244 mm
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
Kunst / Musik / Theater Theater / Ballett
ISBN-10 1-350-26803-8 / 1350268038
ISBN-13 978-1-350-26803-6 / 9781350268036
Zustand Neuware
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