21st Century Guitar
Bloomsbury Academic USA (Verlag)
978-1-5013-7329-9 (ISBN)
21st Century Guitar examines the diverse physical manifestations of the guitar across the modern performative landscape through a series of essays and interviews. Academics, performers and dual-practitioners provide significant insights into the rich array of guitar-based performance practices emerging and thriving in this century, inviting a reassessment of the guitar’s identity, physicality and sound-creating possibilities.
Richard Perks is senior lecturer in music performance at the University of Kent, UK, and associate professor of music at the Institute of Contemporary Music Performance, UK. He is a leading exponent of the fretless electric guitar and has performed all over the world. Recent publications have explored the extended performance possibilities of the fretless electric guitar, guitar-focused musicology/analysis, the combination of composition with improvisation, and intercultural collaboration. John McGrath is senior lecturer in music at the University of Surrey, UK, and deputy director of the International Guitar Research Centre (IGRC). He is the author of Samuel Beckett, Repetition and Modern Music (2018) and is also an active guitarist; recent appearances include a solo set at Kings Place, London, while his compositions have been aired and screened internationally.
Contributors
Acknowledgements
Foreword
Introduction
Richard Perks and John McGrath
1. The Well-Tuned Guitar
John Schneider
2. Transforming the Microtonal Fingerboard: ‘Small’ Frets, LEGO and Robots – Interview with Tolgahan Çogulu
Richard Perks
3. The Expanding Fretless Guitarscape: Practice and Progress
Richard Perks
4. Touching the Apple Without Gloves – Interview with Cenk Erdogan
Richard Perks
5. Extended Range Instruments: Towards a New Organology of the Guitar
Tom Williams
6. I Should Have Just Learned How to Play the Organ – Interview with Charlie Hunter
Richard Perks
7. The Transformed Space of the Ligeti Guitar
Katalin Koltai
8. Grains, Glitches and Infinite Space: Guitar Effects Pedals, Digitization and Textural Guitar Aesthetics
Robert Strachan
9. The Sonic Maelstrom – Interview with Nels Cline
John McGrath
10. “Something Seems Wrong, Should That Be Happening?”: Avantfolk Guitar and Glitch Aesthetics, a Practice-Based Perspective
John McGrath
11. A Field of Reactivity: Moog Guitar and Experimental Systems – Interview with Bill Thompson
John McGrath
12. The Digital Fretboard: Remapping and Relearning the Guitar’s Pitch Matrix with MIDI and Max/MSP
Milton Mermikides
13. Augmented Reality Guitars: Extended Instruments and Notation for a 21st Century Practice
Amy Brandon
Index
Erscheinungsdatum | 22.12.2022 |
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Zusatzinfo | 104 bw illus |
Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
ISBN-10 | 1-5013-7329-3 / 1501373293 |
ISBN-13 | 978-1-5013-7329-9 / 9781501373299 |
Zustand | Neuware |
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