Walking with Asafo in Ghana
An Ethnographic Account of Kormantse Bentsir Warrior Music
Seiten
2022
University of Rochester Press (Verlag)
978-1-64825-044-6 (ISBN)
University of Rochester Press (Verlag)
978-1-64825-044-6 (ISBN)
The first full-length study of the musical pasts of Asafo warrior associations based on the author's "ways of walking" with local scholars along the Ghanaian littoral.
What is Asafo ndwom (music)? How and when is it performed? What is the state of this warrrior tradition that once served as the bedrock of the Akan, Ewe, and Ga societies in Ghana? How does Asafo enact the past and serve as an archive for the people? In an attempt to answer these questions, Walking with Asafo in Ghana investigates the musical pasts of Asafo. The book is an ethnography of walking, organized into eight chapters. Each chapter ends with a piece of creative writing in the author's "ethnographic voice," in which she sums up the main ideas. It is Aduonum's attempt at an anticolonial and decolonialist African musicology, one that subverts and decenters white racial framing of research, analysis, and presentation, disrupting how Euro-American concepts frame our ways of telling and experiencing ndwom.
Aduonum's goal on this trajectory is to tell her story, create something new, and chart a new path. Through this fluid and complex book, she repositions African Elders' knowledge as "epistemologies of decolonization and de-coloniality" and centers the stories shared by local Fante scholars. The text is polyvocal, multimodal, multiperspective, performative, reflexive, and dialogic, informed by the structure of Asafo ndwom, appellations, proverbs, her mentors' tellings, and "embodied" calling and responding. It is a performative scholarly discourse, ndwom-based: a performance. As a celebration of Asafo, those warriors who insisted their lives matter, the text is meant to be read and performed.
This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.
What is Asafo ndwom (music)? How and when is it performed? What is the state of this warrrior tradition that once served as the bedrock of the Akan, Ewe, and Ga societies in Ghana? How does Asafo enact the past and serve as an archive for the people? In an attempt to answer these questions, Walking with Asafo in Ghana investigates the musical pasts of Asafo. The book is an ethnography of walking, organized into eight chapters. Each chapter ends with a piece of creative writing in the author's "ethnographic voice," in which she sums up the main ideas. It is Aduonum's attempt at an anticolonial and decolonialist African musicology, one that subverts and decenters white racial framing of research, analysis, and presentation, disrupting how Euro-American concepts frame our ways of telling and experiencing ndwom.
Aduonum's goal on this trajectory is to tell her story, create something new, and chart a new path. Through this fluid and complex book, she repositions African Elders' knowledge as "epistemologies of decolonization and de-coloniality" and centers the stories shared by local Fante scholars. The text is polyvocal, multimodal, multiperspective, performative, reflexive, and dialogic, informed by the structure of Asafo ndwom, appellations, proverbs, her mentors' tellings, and "embodied" calling and responding. It is a performative scholarly discourse, ndwom-based: a performance. As a celebration of Asafo, those warriors who insisted their lives matter, the text is meant to be read and performed.
This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.
AMA OFORIWAA ADUONUM is Professor of Ethnomusicology and Public Scholar at Illinois State University at Normal, IL.
Nkankyee | Summoning Asafo
Introduction
Part 1. Walking into the Past
1. Walking for Asafo: Entangled Meanings, Abakosem Awakenings
2. Knocking: History Walking
3. Memory Walking: A Haptic Way of Knowing
Part II. Walking with Women
4. Walking with Women at Kokoado Hill and Kormantse Seaside
5. "It was Too Sweet!" Walking with Two Kormantse Women
Part III. Walking with Asafo Music
6. The Listening and Musicking Walk
7. "Kenkan Makes it Sweet": Walking with Asafo Ndwom
8. Anammͻn: Shadows in the Field, Leaving Footprints
Nkekaho | Re-Invocation
References
Index
| Erscheinungsdatum | 21.09.2022 |
|---|---|
| Reihe/Serie | Eastman/Rochester Studies Ethnomusicology |
| Zusatzinfo | 107 b/w illus. |
| Verlagsort | Rochester |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 1 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| ISBN-10 | 1-64825-044-0 / 1648250440 |
| ISBN-13 | 978-1-64825-044-6 / 9781648250446 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
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