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Performance on Lute, Guitar, and Vihuela

Historical Practice and Modern Interpretation

Victor Anand Coelho (Herausgeber)

Buch | Hardcover
251 Seiten
1997
Cambridge University Press (Verlag)
978-0-521-45528-2 (ISBN)
CHF 104,75 inkl. MwSt
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This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Brings to light various new ideas about performance and technique for a wide range of instruments, including the fifteenth-, sixteenth- and seventeenth-century Italian lute, archlute, theorbo, French Baroque lute, vihuela. Will be of interest to players, teachers and scholars.
This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Written by specialists of this music, it is intended for players, teachers, and scholars who are interested both in the history of performance, and in the specific interpretation of lute, guitar and vihuela music from the end of the fifteenth century to approximately 1850. It brings to light various new ideas about performance and technique for a wide range of instruments, including the fifteenth-, sixteenth- and seventeenth-century Italian lute, archlute, theorbo, French Baroque lute, vihuela, and Baroque and classical guitar, as well as for lute-accompanied English and Italian song. The articles in this book decode the unwritten traditions of these instruments, and examine various performance issues, taking a fresh, innovative look at traditional problems.

1. An invitation to the fifteenth-century plectrum lute: the Pesaro manuscript Vladimir Ivanoff; 2. Lute tablature instructions in Italy: a survey of the Regole from 1507 to 1759 Dinko Fabris; 3. The performance context of the English lute song, 1596 to 1622 Daniel Fischlin; 4. Per cantare e sonare: lute song at the end of the sixteenth century Kevin Mason; 5. Authority, autonomy, and interpretation in performing seventeenth-century Italian lute music Victor Coelho; 6. The soul of the lute: performance in the style brisé Wallace Rave; 7. The vihuela: performance practice, style, and context John Griffiths; 8. Performing seventeenth-century Italian guitar music: the question of an appropriate stringing Gary Boye; 9. Essential issues in performance practices of the Classical guitar, 1779–1840 Richard Savino.

Erscheint lt. Verlag 11.12.1997
Reihe/Serie Cambridge Studies in Performance Practice
Zusatzinfo 45 Printed music items; 6 Tables, unspecified; 12 Halftones, unspecified
Verlagsort Cambridge
Sprache englisch
Maße 181 x 255 mm
Gewicht 690 g
Themenwelt Kunst / Musik / Theater Musik Instrumentenkunde
ISBN-10 0-521-45528-6 / 0521455286
ISBN-13 978-0-521-45528-2 / 9780521455282
Zustand Neuware
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