Nicht aus der Schweiz? Besuchen Sie lehmanns.de
Loving Music Till It Hurts - William Cheng

Loving Music Till It Hurts

(Autor)

Buch | Hardcover
408 Seiten
2019
Oxford University Press Inc (Verlag)
978-0-19-062013-4 (ISBN)
CHF 41,90 inkl. MwSt
Loving Music Till It Hurts explores how people's intense love and protectiveness of music can lead to interpersonal conflicts, societal injustices, and violence. But how might we love music, even embrace it as vital to human thriving, without weaponizing this love? What can we do when loving music and loving people seem at odds?
Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the "Star-Spangled Banner" at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection.

There's nothing wrong with the human instinct to safeguard beloved music . . . except, perhaps, when this instinct leads us to hurt or neglect fellow human beings in turn: say, by heaping outsized shame upon those who seem to do music wrong; or by rushing to defend a conductor's beautiful recordings while failing to defend the multiple victims who have accused this maestro of sexual assault. Loving Music Till It Hurts is a capacious exploration of how people's head-over-heels attachments to music can variously align or conflict with agendas of social justice. How do we respond when loving music and loving people appear to clash?

William Cheng is Associate Professor of Music at Dartmouth College. His books include Sound Play: Video Games and the Musical Imagination (Oxford, 2014), Just Vibrations: The Purpose of Sounding Good (Michigan, 2016), Loving Music Till It Hurts (Oxford, 2019), and Queering the Field: Sounding Out Ethnomusicology (Oxford, 2019, coedited with Gregory Barz). He serves as a coeditor of University of Michigan Press's "Music & Social Justice" series.

Acknowledgments

Prelude: Loving Music And Loving People
Chapter One: Misjudgments Of Humanity
Chapter Two: Princes And Paupers
Chapter Three: Moral Masquerades
Interlude: Loving Musicology Till It Hurts
Chapter Four: Feeling Overcome
Chapter Five:The Worst You've Ever Sounded
Chapter Six: Jordan Russell Davis
Postlude: Songs Without Words

Notes
Works Cited
Index

Erscheinungsdatum
Verlagsort New York
Sprache englisch
Maße 160 x 236 mm
Gewicht 680 g
Themenwelt Kunst / Musik / Theater Musik Allgemeines / Lexika
ISBN-10 0-19-062013-7 / 0190620137
ISBN-13 978-0-19-062013-4 / 9780190620134
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
die Geschichte der Schallplatte

von Gillian G. Gaar; Martin Popoff; Richie Unterberger

Buch | Hardcover (2024)
Prestel (Verlag)
CHF 51,90

von Walther Dürr; Michael Kube; Uwe Schweikert

Buch | Hardcover (2023)
Bärenreiter (Verlag)
CHF 75,90