Delius and the Sound of Place
Seiten
2018
Cambridge University Press (Verlag)
978-1-108-47039-1 (ISBN)
Cambridge University Press (Verlag)
978-1-108-47039-1 (ISBN)
This book examines the role of place in Delius' works, challenging existing views on their complex historical and musical contexts. It will appeal to readers familiar with Delius' music, and to those seeking a detailed guide to selected pieces, as well as those new to his work.
Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically mediated category in his music. Drawing on archival sources, contemporary art, and literature, and more recent writing in cultural geography and the philosophy of place, this is a new interpretation of Delius' work, and he emerges as one of the most original and compelling voices in early twentieth-century music. As the popularity of his music grows, this book challenges the idea of Delius as a large-scale rhapsodic composer, and reveals a richer and more productive relationship between place and music.
Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically mediated category in his music. Drawing on archival sources, contemporary art, and literature, and more recent writing in cultural geography and the philosophy of place, this is a new interpretation of Delius' work, and he emerges as one of the most original and compelling voices in early twentieth-century music. As the popularity of his music grows, this book challenges the idea of Delius as a large-scale rhapsodic composer, and reveals a richer and more productive relationship between place and music.
Daniel M. Grimley is Professor of Music at the University of Oxford and a fellow of Merton College. He has published extensively on early twentieth-century Scandinavian and British music, and his previous books include Grieg: Music, Landscape and Norwegian Identity (2006) and Carl Nielsen and the Idea of Modernism (2011). He appears regularly on BBC Radio 3 and at the BBC Proms as a pre-concert speaker.
1. Place; 2. Idyll; 3. River; 4. Drift; 5. Village; 6. Hill; 7. Garden; Conclusion.
| Erscheinungsdatum | 07.12.2018 |
|---|---|
| Reihe/Serie | Music in Context |
| Zusatzinfo | Worked examples or Exercises; 61 Printed music items; 1 Halftones, black and white; 1 Line drawings, black and white |
| Verlagsort | Cambridge |
| Sprache | englisch |
| Maße | 180 x 253 mm |
| Gewicht | 840 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Allgemeines / Lexika |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| Kunst / Musik / Theater ► Theater / Ballett | |
| ISBN-10 | 1-108-47039-4 / 1108470394 |
| ISBN-13 | 978-1-108-47039-1 / 9781108470391 |
| Zustand | Neuware |
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