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South African Jazz Culture: -

South African Jazz Culture:

Texts, Contexts, and Subtexts

Birgit Abels (Herausgeber)

Buch | Softcover
192 Seiten
2017 | 1., Aufl.
VWB-Verlag
978-3-86135-914-2 (ISBN)
CHF 41,90 inkl. MwSt
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Contents:+++ Articles* Nishlyn Ramanna: Introduction: Discursive Flows in South African Jazz Studies-Texts, Contexts, and Subtexts* Christopher Linn Merz: Tracing the Development of the South African Alto Saxophone Style* Jeffrey Brukman: Shifts and Turns in Paul Hanmer's Nachtroep: A Close Musical Analysis* Lindelwa Dalamba: A Sideman on the Frontlines: Gwigwi Mrwebi and South African Jazz History* Salim Washington: Fingering the Jagged Grain: The Jazz/Blues/Mbaqanga Impulse of Mandla Langa* Brett Pyper: Jazz Festivals and the Post-Apartheid Public Sphere: Historical Precedents and the Contemporary Limitsof Freedom* Gwen Ansell: Who's Got the Map? Scholarship, Journalism and Essentialism in Writing on South African Jazz+++ Book Reviews (Eva-Maria Alexandra van Straaten, ed.)* Michael T. Bertrand: James Wierzbicki, Music in the Age of Anxiety: American Music in the Fifties (2016)* Emily Baker: Miriama Young, Singing the Body Electric: The Human Voice and Sound Technology (2015)* Koray Degirmenci: Martin Greve (ed.), Writing the History of "Ottoman Music" (2015)* Jehoash Hirshberg: Ruth F. Davis (ed.), Musical Exodus: Al-Andalus and its Jewish Diasporas (2015)* Moshe Morad: Stephen Amico, Roll Over, Tchaikovsky! Russian Popular Music and Post-Soviet Homosexuality (2014)* Martin Greve: Anna Magdalena Schmidt, Die imaginäre Grenze. Eine Untersuchung zur Bedeutung von Musik für Jugendliche türkischer Herkunft in Deutschland und ihre Verortung im Diskurs der interkulturell orientierten Musikpädagogik (2015)* Michelle Duffy: Jared Mackley-Crump, The Pacific Festivals of Aotearora New Zealand: Negotiating Place and Identity in a New Homeland (2015)* Charissa Granger: Ed Pavlic, Who Can Afford to Improvise? James Baldwin and Black Music, the Lyric and the Listeners (2016)* Megan Rancier: Tanya Merchant, Women Musicians of Uzbekistan: From Courtyard to Conservatory (2015)* Anne K. Rasmussen: Lisa Urkevich, Music and Traditions of the Arabian Peninsula: Saudi Arabia, Kuwait, Bahrain, and Qatar (2015)+++ Recording Reviews (Robert Fry, ed.)* Robert Fry: Tell the Truth!: Blues and Gospel by Richard Williams. Produced by the State Library and Archives of Florida (2016)* Robert Fry Where the Palm Trees Shake at Night: Blues Music from the Florida Folklife Collection. Produced by the State Library and Archives of Florida (2010)+++ About the Contributors+++ the world of music (new series)

Contents:

+++ Articles

* Nishlyn Ramanna: Introduction: Discursive Flows in South African Jazz Studies—Texts, Contexts, and Subtexts
* Christopher Linn Merz: Tracing the Development of the South African Alto Saxophone Style
* Jeffrey Brukman: Shifts and Turns in Paul Hanmer’s Nachtroep: A Close Musical Analysis
* Lindelwa Dalamba: A Sideman on the Frontlines: Gwigwi Mrwebi and South African Jazz History
* Salim Washington: Fingering the Jagged Grain: The Jazz/Blues/Mbaqanga Impulse of Mandla Langa
* Brett Pyper: Jazz Festivals and the Post-Apartheid Public Sphere: Historical Precedents and the Contemporary Limits
of Freedom
* Gwen Ansell: Who’s Got the Map? Scholarship, Journalism and Essentialism in Writing on South African Jazz


+++ Book Reviews (Eva-Maria Alexandra van Straaten, ed.)

* Michael T. Bertrand: James Wierzbicki, Music in the Age of Anxiety: American Music in the Fifties (2016)
* Emily Baker: Miriama Young, Singing the Body Electric: The Human Voice and Sound Technology (2015)
* Koray Değirmenci: Martin Greve (ed.), Writing the History of “Ottoman Music” (2015)
* Jehoash Hirshberg: Ruth F. Davis (ed.), Musical Exodus: Al-Andalus and its Jewish Diasporas (2015)
* Moshe Morad: Stephen Amico, Roll Over, Tchaikovsky! Russian Popular Music and Post-Soviet Homosexuality (2014)
* Martin Greve: Anna Magdalena Schmidt, Die imaginäre Grenze. Eine Untersuchung zur Bedeutung von Musik für Jugendliche türkischer Herkunft in Deutschland und ihre Verortung im Diskurs der interkulturell orientierten Musikpädagogik (2015)
* Michelle Duffy: Jared Mackley-Crump, The Pacific Festivals of Aotearora New Zealand: Negotiating Place and Identity in a New Homeland (2015)
* Charissa Granger: Ed Pavlić, Who Can Afford to Improvise? James Baldwin and Black Music, the Lyric and the Listeners (2016)
* Megan Rancier: Tanya Merchant, Women Musicians of Uzbekistan: From Courtyard to Conservatory (2015)
* Anne K. Rasmussen: Lisa Urkevich, Music and Traditions of the Arabian Peninsula: Saudi Arabia, Kuwait, Bahrain, and Qatar (2015)


+++ Recording Reviews (Robert Fry, ed.)

* Robert Fry: Tell the Truth!: Blues and Gospel by Richard Williams. Produced by the State Library and Archives of Florida (2016)
* Robert Fry Where the Palm Trees Shake at Night: Blues Music from the Florida Folklife Collection. Produced by the State Library and Archives of Florida (2010)

+++ About the Contributors

+++ the world of music (new series)

Erscheinungsdatum
Reihe/Serie the world of music (new series) ; 5(2016) 2
Mitarbeit Stellvertretende Herausgeber: Barbara Titus
Gast Herausgeber: Ramanna Nishlyn
Zusatzinfo photographs, figs, musical notations
Verlagsort Berlin
Sprache englisch
Maße 152 x 228 mm
Gewicht 370 g
Einbandart Paperback
Themenwelt Kunst / Musik / Theater Musik Musikgeschichte
Kunst / Musik / Theater Musik Pop / Rock
Schlagworte Afrika • Ethnomusikologie • Jazz • Jazzkultur • music cultures • Musikethnologie • Musikgeschichte • Südafrika (Republik), Musik; RockPopJazz • Südliches Afrika • Traditionelle Musik und Volksmusik • Weltmusik • Weltmusik und regionale Musik • Zeitschrift/Magazin
ISBN-10 3-86135-914-6 / 3861359146
ISBN-13 978-3-86135-914-2 / 9783861359142
Zustand Neuware
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