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The Neapolitan Canzone in the Early Nineteenth Century as Cultivated in the Passatempi musicali of Guillaume Cottrau

Pasquale Scialò, Francesca Seller, Anthony R. Deldonna (Herausgeber)

Buch | Hardcover

168 Seiten

2015
Lexington Books (Verlag)
978-1-4985-2306-6 (ISBN)

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This volume is a multi-disciplinary study of the Neapolitan tradition of nineteenth-century song or “Canzona napoletana.” It is based on primary (original music manuscripts) and secondary (correspondence, diaries, and varied historical materials) sources recovered from Neapolitan archives, libraries, and private collections. The book takes as its focus the figure of Guillaume Cottrau (1797-1847), a musician and publisher who left a significant breadth of original songs and arrangements issued in the song collection and series entitled Passatempi musicali. Cottrau was a cultural auteur, who integrated his diverse activities as editor, folklorist, and patron of salon music and musicians (including the commissioning of original works and adaptations) to establish a tradition of Neapolitan song. This repertory was disseminated throughout Europe and ultimately the United States to great acclaim through the publication of the Passatempi musicali. The songs presented in the Passatempi musicali remain within the international repertory affiliated with Neapolitan song, including “Fenesta vascia,” “Lo guarracino,” “Cannetella,” and many others. They are, moreover, closely linked to the historical, cultural and linguistic identity of Naples and the Neapolitan diaspora. This volume is the first of its kind in the English language and offers original, unpublished research about the endeavors of Cottrau, the contemporary cultural environs, the artists and their music that established the international fame of the Neapolitan canzona.

Pasquale Scialò teaches at the Conservatory of Salerno and the University of Naples. Francesca Seller is professor of musicology at the Conservatory of Salerno and scholar at the l’Istituto Italiano per gli Studi Filosofici in Naples. Anthony R. DelDonna is associate professor of musicology at Georgetown University.

List of figures and tables
Acknowledgments
Introduction
Pasquale Scialò, Francesca Seller, and Anthony R. DelDonna
1. Haunts of an armchair traveler: the variegated world of the letters of Guillaume Cottrau
Massimo Distilo
2. Origins, authorship, and new hypotheses about the Passatempi musicali
Pasquale Scialò
3. The role of Neapolitan song in comedic dramaturgy of the late eighteenth and early nineteenth centuries
Paologiovanni Maione
4. After the Golden Age: considerations on the nature of nineteenth-century Neapolitan theater
Francesco Cotticelli
5. Guillaume Cottrau, a French-Neapolitan entrepreneur
Francesca Seller
6. Musical traditions and matrices in the Passatempi musicali of Guillaume Cottrau
Raffaele Di Mauro
7. Musical instruments in the early nineteenth-century Neapolitan salon
Francesco Nocerino
8. Considerations on the Neapolitan language today and at the time of the Passatempi musicali by Guillaume Cottreau
Giovanni Vitale
Bibliography
About the contributors

Erscheinungsdatum	07.01.2016
Co-Autor	Francesco Cotticelli, Raffaele Di Mauro
Verlagsort	Lanham, MD
Sprache	englisch
Maße	158 x 234 mm
Gewicht	399 g
Themenwelt	Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical
ISBN-10	1-4985-2306-4 / 1498523064
ISBN-13	978-1-4985-2306-6 / 9781498523066
Zustand	Neuware