The Spirit of Praise

Music and Worship in Global Pentecostal-Charismatic Christianity

Monique M. Ingalls, Amos Yong (Herausgeber)

Buch | Softcover

312 Seiten

2016
Pennsylvania State University Press (Verlag)
978-0-271-06663-9 (ISBN)

Lieferbar (Termin unbekannt)
Versandkostenfrei
Auch auf Rechnung

Artikel merken

A collection of essays exploring musical sounds and worship practices within Pentecostal Charismatic Christianity. Combines ethnographic case studies with theoretical reflection informed by social science, musicological, religious studies, and theological approaches, resulting in a multidisciplinary analysis of a global phenomenon.

In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change.

Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.

Monique M. Ingalls is Assistant Professor of Church Music at Baylor University. Amos Yong is Professor of Theology and Mission at Fuller Theological Seminary.

Contents

Introduction: Interconnection, Interface, and Identification in Pentecostal-Charismatic Music and Worship | Monique M. Ingalls

Part I: Healing, Renewal, and Revitalization

1 Musical Bodies in the Charismatic Renewal: 1 The Case of Catch the Fire and Soaking Prayer | Peter Althouse and Michael Wilkinson

2 Salvation (Not Yet?) Materialized: Healing as Possibility and Possible Complication for Expressing Suffering in Pentecostal Music and Worship | Andrew M. McCoy

3 Dreaming Urban Indigenous Australian Christian Worship in the Great Southland of the Holy Spirit | Tanya Riches

4 Every Creative Aspect Breaking Out! Pentecostal-Charismatic Worship, Oro Gospel Music, and a Millennialist Aesthetic in Papua New Guinea | Michael Webb

5 Worship Music as Aesthetic Domain of Meaning and Bonding: The Glocal Context of a Dutch Pentecostal Church | Miranda Klaver

Part II: Negotiating Traditions in Transition

6 “This Is Not the Warm-Up Act!”: How Praise and Worship Reflects Expanding Musical Traditions and Theology in a Bapticostal Charismatic African American Megachurch |  Birgitta J. Johnson

7 Singing the Lord’s Song in the Spirit and with Understanding: The Practice of Nairobi Pentecostal Church | Jean Ngoya Kidula

8 “Soaking Songs” Versus “Medicine Man Chant”: Musical Resonance Among Diné Oodlání (Navajo Believers) | 148 Kimberly Jenkins Marshall

9 “We Can Be Renewed”: Resistance and Worship at the Anchor Fellowship | Andrew Mall

10 Hillsong Abroad: Tracing the Songlines of Contemporary Pentecostal Music | Mark Evans

Part III: Media, Culture, and the Marketplace

11 Charismatic Music and the Pentecostalization of Latin American Evangelicalism | Ryan R. Gladwin

12 Blessed to Be a Blessing: The Prosperity Gospel of Worship Music Superstar Israel Houghton | Wen Reagan

13 Music, Culture Industry, and the Shaping of Charismatic Worship: An Autobiographical/Conversational Engagement |  Dave Perkins

14 We Can’t Go Back: Liturgies of Worship and Consumer Culture at One African American Church | Will Boone

15 Gospel Funk: Pentecostalism, Music, and Popular Culture in Rio de Janeiro | Martijn Oosterbaan

Conclusion: Improvisation, Indigenization, and Inspiration: Theological Reflections on the Sound and Spirit of Global Renewal | Amos Yong

List of Contributors

Index

Erscheint lt. Verlag	15.10.2016
Zusatzinfo	5 Halftones, black and white
Verlagsort	University Park
Sprache	englisch
Maße	152 x 229 mm
Gewicht	431 g
Themenwelt	Kunst / Musik / Theater ► Musik
	Religion / Theologie ► Christentum ► Kirchengeschichte
	Religion / Theologie ► Christentum ► Liturgik / Homiletik
ISBN-10	0-271-06663-6 / 0271066636
ISBN-13	978-0-271-06663-9 / 9780271066639
Zustand	Neuware