The Finale in Western Instrumental Music
Seiten
2001
Oxford University Press (Verlag)
978-0-19-816695-5 (ISBN)
Oxford University Press (Verlag)
978-0-19-816695-5 (ISBN)
The knowledge that finales are by tradition (and perhaps also necessarily) "different" from other movements has been around a long time, but this work examines, comprehensively and in detail, the special nature of finales in instrumental music.
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types of finale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata, string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at the finales of all Shostakovich's string quartets, in which examples of most of the types may be found.
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types of finale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata, string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at the finales of all Shostakovich's string quartets, in which examples of most of the types may be found.
BIBLIOGRAPHY ; LIST OF MUSICAL EXAMPLES ; INDEX TO MUSICAL WORKS ; GENERAL INDEX
| Erscheint lt. Verlag | 1.8.2001 |
|---|---|
| Reihe/Serie | Oxford Monographs on Music |
| Verlagsort | Oxford |
| Sprache | englisch |
| Maße | 161 x 243 mm |
| Gewicht | 512 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Instrumentenkunde |
| Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| ISBN-10 | 0-19-816695-8 / 0198166958 |
| ISBN-13 | 978-0-19-816695-5 / 9780198166955 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Roman
Buch | Hardcover (2024)
Wallstein Erfolgstitel - Belletristik und Sachbuch (Verlag)
CHF 27,95
die Sammlung von Bernhard Kolberg
Buch | Hardcover (2024)
E Reinhold (Verlag)
CHF 54,60
