Brian Eno
Bloomsbury Academic USA (Verlag)
978-1-4411-1745-8 (ISBN)
This volume examines Eno's work as a musician, as a theoretician, as a collaborator, and as a producer. Brian Eno is one of the most influential figures in popular music; an updated examination of his work on this scale is long overdue.
Sean Albiez is Senior Lecturer in Popular Music at Southampton Solent University, UK David Pattie is Professor in Drama in the Department of Performing Arts at the University of Chester, UK.
Introduction: Brian Eno: A problem of organization - David Pattie and Sean Albiez
PART ONE - Eno: Composer, musician and theorist
1 The Bogus Men: Eno, Ferry and Roxy Music - David Pattie
2 Brian Eno, non- musicianship and the experimental tradition - Cecilia Sun
3 Taking the studio by strategy- David Pattie
4 Between the avant- garde and the popular: The discursive economy of Brian Eno’s musical practices - Chris Atton
5 Yes, but is it music? Brian Eno and the definition of ambient music - Mark Edward Achtermann
6 The Lovely Bones: Music from beyond - Hillegonda C. Rietveld
7 The voice and/of Brian Eno - Sean Albiez
PART TWO - The University of Eno: Production and collaborations
8 Before and after Eno: Situating ‘The Recording Studio as Compositional Tool’ - Sean Albiez and Ruth Dockwray
9 Control and surrender: Eno remixed – collaboration and Oblique Strategies - Kingsley Marshall and Rupert Loydell
10 Avant-gardism, ‘Africa’ and appropriation in My Life in the Bush of Ghosts - Elizabeth Ann Lindau
11 Eno and Devo - Jonathan Stewart
12 Another Green World? Eno, Ireland and U2 - Noel McLaughlin
13 Documenting no wave: Brian Eno as urban ethnographer - Martin James
Select Discography
Verlagsort | New York |
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Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 567 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Kunst / Musik / Theater ► Musik ► Pop / Rock | |
ISBN-10 | 1-4411-1745-8 / 1441117458 |
ISBN-13 | 978-1-4411-1745-8 / 9781441117458 |
Zustand | Neuware |
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