Sonic Theology
Hinduism and Sacred Sound
Seiten
2009
University of South Carolina Press (Verlag)
978-1-57003-843-3 (ISBN)
University of South Carolina Press (Verlag)
978-1-57003-843-3 (ISBN)
The Hindu world is permeated by sound: drums, bells, gongs, cymbals, conches, flutes, and an array of vocalizations play a central role in worship. This title contends that the traditional Western focus on Hinduism's visual component has often been at the expense of the religion's most important feature - its emphasis on sound.
This title presents a comparative approach to understanding the centrality of sound to Hindu religious practices. The Hindu world is permeated by sound: drums, bells, gongs, cymbals, conches, flutes, and an array of vocalizations play a central role in worship. Guy L. Beck contends that the traditional Western focus on Hinduism's visual component has often been at the expense of the religion's most important feature - its emphasis on sound. In ""Sonic Theology"", Beck addresses this longstanding imbalance, contending that Hinduism is essentially a sonic theology. Beck argues that sound participates at every level of the Hindu cosmos. Comparing the centrality of sound in Hindu theology to its place in other religions, Beck raises issues about sound and language that not only reshape our understanding of Hindu worship but also invite a fresh approach to comparative theology.
This title presents a comparative approach to understanding the centrality of sound to Hindu religious practices. The Hindu world is permeated by sound: drums, bells, gongs, cymbals, conches, flutes, and an array of vocalizations play a central role in worship. Guy L. Beck contends that the traditional Western focus on Hinduism's visual component has often been at the expense of the religion's most important feature - its emphasis on sound. In ""Sonic Theology"", Beck addresses this longstanding imbalance, contending that Hinduism is essentially a sonic theology. Beck argues that sound participates at every level of the Hindu cosmos. Comparing the centrality of sound in Hindu theology to its place in other religions, Beck raises issues about sound and language that not only reshape our understanding of Hindu worship but also invite a fresh approach to comparative theology.
Guy L. Beck is an assistant professor in the School of Continuing Studies at Tulane University and the editor of Alternative Krishnas: Regional and Vernacular Variations on a Hindu Deity and Sacred Sound: Experiencing Music in World Religions.
| Erscheint lt. Verlag | 30.4.2009 |
|---|---|
| Reihe/Serie | Studies in Comparative Religion |
| Mitarbeit |
Herausgeber (Serie): Frederick M. Denny |
| Verlagsort | South Carolina |
| Sprache | englisch |
| Gewicht | 488 g |
| Themenwelt | Geisteswissenschaften ► Religion / Theologie ► Hinduismus |
| ISBN-10 | 1-57003-843-0 / 1570038430 |
| ISBN-13 | 978-1-57003-843-3 / 9781570038433 |
| Zustand | Neuware |
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