Romantic Responses to Revolution through Miltonic Ideas of the Fall
Routledge (Verlag)
978-1-032-86422-8 (ISBN)
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This book will be of value to undergraduate and postgraduate students of English Literature with a specific interest in the Romantics. The writers and texts featured — including the ‘big six’ of Romantic poets, and three canonical novels of the early nineteenth century — are very widely studied on English Literature courses across the UK, US, and Europe. This makes the book an ideal reference text or inspiration point for essays, coursework, and theses, while the concise and accessible style should be especially appealing for undergraduates and lecturers looking for an approachable overview of Romantic responses to revolution and the influence of Milton.
Callum Fraser currently works as a commissioning editor at CRC Press/ Taylor & Francis. He received a PhD from Newcastle University in 2018 with a critical focus on the influence of Milton on the Romantics, as well as undertaking a related creative project. He maintains his interest in this literary period and is currently working on a Gothic novel set in rural Cumberland, 1824.
Introduction
Part I. Romantic Poets’ Responses to Miltonic Ideas of the Fall
Chapter 1. First-Generation Romantics: Revolutionary Responses to Miltonic Ideas of the Fall
1.1. William Blake: Poetry as Rebellion — Reconciling Blake and Milton
1.2. Coleridge: Retrospective Conservatism and the Intervening Voice
1.3. Wordsworth: ‘Two Consciousnesses’ and The Consummation of the Poet’s Mind
Chapter 2. Byron and Keats: Intergenerational Conflict and Rising from the Fall
2.1. Byron: ‘being/ Yourselves in your resistance’: The Value of Ideological Integrity in Cain
2.2. Keats: The Necessary Transition to a New Poetic Order
Part II. Writing from the Literary ‘Lacuna’: Divided Voices and Divided Sympathies
Chapter 3. Frankenstein and Mary Shelley’s Radical Scepticism
Chapter 4. ‘Neither Whig, Tory, Radical, nor Destructionist’: The Private Memoirs and Confessions of a Justified Sinner and the ‘Polydoxy’ of James Hogg
Chapter 5. Wuthering Heights: ‘As Different as a Moonbeam from Lightning’ — Reconciling Romanticism and Victorianism
Conclusion
Erscheint lt. Verlag | 1.4.2025 |
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Reihe/Serie | Routledge Focus on Literature |
Verlagsort | London |
Sprache | englisch |
Maße | 138 x 216 mm |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-032-86422-2 / 1032864222 |
ISBN-13 | 978-1-032-86422-8 / 9781032864228 |
Zustand | Neuware |
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