Trauma, Memory and Silence of the Irish Woman in Contemporary Literature

Wounds of the Body and the Soul

Madalina Armie, Veronica Membrive (Herausgeber)

Buch | Softcover

204 Seiten

2024
Routledge (Verlag)
978-1-032-40965-8 (ISBN)

Artikel merken

This volume studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on the body, mind and soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond.

This volume studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind (Caruth 1996, 3) and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.

Madalina Armie earned a master’s degree in English language and literature (2014) from the University of Almería. She completed her PhD on the contemporary Irish short story at the turn of the twenty-first century at the University of Almería (2019), for which she obtained the EIDUAL Dissertation Award 2019 for Best Doctoral Dissertation (2021) and the honorary second prize for the Best Doctoral Dissertation in Studies for Equality and the Fight against Gender Violence of the University of Almeria (2022). Her current areas of research include the contemporary Irish short story and Irish women’s writing. She has published articles and reviews in international journals, such as Irish Studies Review, Estudios Irlandeses, Review of Irish Studies in Europe (RISE) and Studi Irlandesi. Armie is the author of the monograph The Irish Short Story at the Turn of the Twenty-first Century: Tradition, Society and Modernity also published by Routledge. She is currently teaching at the University of Almeria, Spain. Veronica Membrive completed her PhD at the University of Almería (2017) on Irish travel writers in Spain during the twentieth century. She has published articles and book chapters on Walter Starkie, Kate O’Brien, Aidan Higgins, Pearse Hutchison and their travels in Spain. She is currently teaching English at the University of Almería. She has been awarded the International George Campbell Award for her research on Hiberno-Spanish cultural relations (University of Málaga, 2018).

MADALINA ARMIE AND VERÓNICA MEMBRIVE

Introduction

PART I – ESSAYS

JESSICA ALIAGA-LAVRIJSEN

University of Zaragoza, Spain

Trauma, Reproduction and Breeding in Catherine Brophy’s Dark Paradise
BURCU GÜLÜM TEKIN

University of Zaragoza, Spain

Different Kinds of Love: Silenced Women in Leland Bardwell’s Short Fiction
ELENA CANTUESO URBANO AND MARÍA ISABEL ROMERO RUIZ

University of Málaga, Spain

Trauma after a Life of Torture in Irish Magdalene Laundries: Magdalene Survivors’ Testimonies and Patricia Burke-Brogan’s Stained Glass at Samhain
PAULA ROMO-MAYOR

University of Zaragoza, Spain

Shattering the Moulds of Tradition: The Role of Women in the Transgenerational Transmission of Trauma in Rachel Seiffert’s The Walk Home
MELANIA TERRAZAS

University of La Rioja, Spain

Representations of Trauma, Memory and the Silencing of Irish Women: Storytelling in Emer Martin’s The Cruelty Men
F.B. SCHÜRMANN

University College Dublin (UCD), School of English, Drama, and Film, Ireland

Exposition of a Half-formed System: Trauma and Other Matters in Eimear McBride’s A Girl Is a Half-formed Thing

ALICIA MURO

University of La Rioja, Spain

Damaged Women: Trauma, Shame and Silence in Sally Rooney’s Conversations with Friends and Normal People
KAYLA FANNING

Concordia University, Canada

Conditions of Homecoming: Self-Care and Anticipation in Louise O’Neill’s Only Ever Yours and The Surface Breaks
ASIER ALTUNA-GARCÍA DE SALAZAR

University of Deusto, Spain

Confronting Female Unspeakable Truths in Ireland: Donal Ryan’s Strange Flowers
MAYRON ESTEFAN CANTILLO-LUCUARA

University of Valencia, Spain

Emma Donoghue’s Hood and the Aesthetics of Existential Claustrophobia: From Traumatic Self-Retreat to Uncloseted Grief
MARÍA GAVIÑA-COSTERO

University of Valencia, Spain

Don’t Tell Them: The Strategy of Silence in Anna Burns’ Milkman

PART 2. PIECES OF CREATIVE WRITING

CATHERINE DUNNE

A Good Enough Mother
Unpublished literary piece of novel

MIA GALLAGHER

Dirty Irish Punk
Unpublished literary piece of novel

LIA MILLS

"Flight"

Reissued short story

Erscheinungsdatum	20.02.2023
Reihe/Serie	Routledge Studies in Irish Literature
Verlagsort	London
Sprache	englisch
Maße	152 x 229 mm
Gewicht	408 g
Themenwelt	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
Themenwelt	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
ISBN-10	1-032-40965-7 / 1032409657
ISBN-13	978-1-032-40965-8 / 9781032409658
Zustand	Neuware