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Andrei Tarkovsky's Sounding Cinema - Tobias Pontara

Andrei Tarkovsky's Sounding Cinema

Music and Meaning from Solaris to The Sacrifice

(Autor)

Buch | Hardcover
194 Seiten
2019
Routledge (Verlag)
978-0-367-27729-1 (ISBN)
CHF 198,00 inkl. MwSt
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Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932-1986) through an exploration of the presence of music and sound in his films.
Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films.

The first comprehensive study in English concentrating on the soundtrack in Tarkovsky’s cinema, this book reveals how Tarkovsky’s use of electronic music, electronically manipulated sound, traditional folk songs and fragments of canonized works of Western art music plays into the philosophical, existential and ethical themes recurring throughout his work. Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema.

An excellent resource for scholars, researchers and students interested in European art cinema and the role of music in film, as well as for film aficionados interested in Tarkovsky’s work.

Tobias Pontara is Professor in Musicology at the University of Gothenburg, Sweden.

Chapter 1: Interpreting Tarkovsky’s Cinema through its Music

Chapter 2: Bach at the Space Station: Diegetic Ambiguities and Multiplying Gaps in Solaris

Chapter 3: Memories, Dreams and Mysteries: Music and Dimensions of Human Experience in Mirror

Chapter 4: Beethoven Overcome: Transcendence and Utopia in Stalker

Chapter 5: Musical Offerings, Soothing Sounds and Sacrificial Acts: Managing the Nostalgia of Nostalghia

Chapter 6: The Voice of Truth: Liminal Music, Spiritual Authenticity and Gradual Awakening in The Sacrifice

Chapter 7: Music, Meaning and Troubled Utopias in Tarkovsky’s Cinema

Appendix: The Structure of Mirror

Erscheinungsdatum
Reihe/Serie Music and Sound on the International Screen
Zusatzinfo 3 Line drawings, black and white; 15 Halftones, black and white; 18 Illustrations, black and white
Verlagsort London
Sprache englisch
Maße 152 x 229 mm
Gewicht 453 g
Themenwelt Kunst / Musik / Theater Musik Klassik / Oper / Musical
Geisteswissenschaften Geschichte
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Sozialwissenschaften Soziologie Spezielle Soziologien
ISBN-10 0-367-27729-8 / 0367277298
ISBN-13 978-0-367-27729-1 / 9780367277291
Zustand Neuware
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