Nationalism, Chauvinism and Racism as Reflected in European Musical Thought and in Compositions from the Interwar Period
Seiten
2019
Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
978-3-631-78727-4 (ISBN)
Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
978-3-631-78727-4 (ISBN)
lt;p>This book concerns the ways in which nationalism, chauvinism and racism penetrated into musical thought in the interwar period. The impact of these ideologies on the reflection on music has been discussed on the example of four countries of various social-political systems and ethnic backgroud: Germany, Italy, Poland and Great Britain.
lt;p>This book concerns the ways in which many different types of nationalism, chauvinism and racism penetrated into musical thought in the interwar period, and how the leading artistic personalities of that period reacted to these ideologies. The concept of "nationalism" is understood broadly in this book and covers the entire spectrum of its positive and negative aspects. The topics listed in the book's title have been discussed on the example of selected four countries, significant with respect to population and territory and representing different social-political systems: Germany (mostly after 1933), Italy, Poland (after 1926) and Great Britain. This selection is also representative of the main ethnic groups in Europe: Anglo-Saxon, Germanic, Latin-Romance and Slavic.
lt;p>This book concerns the ways in which many different types of nationalism, chauvinism and racism penetrated into musical thought in the interwar period, and how the leading artistic personalities of that period reacted to these ideologies. The concept of "nationalism" is understood broadly in this book and covers the entire spectrum of its positive and negative aspects. The topics listed in the book's title have been discussed on the example of selected four countries, significant with respect to population and territory and representing different social-political systems: Germany (mostly after 1933), Italy, Poland (after 1926) and Great Britain. This selection is also representative of the main ethnic groups in Europe: Anglo-Saxon, Germanic, Latin-Romance and Slavic.
Andrzej Tuchowski, a musicologist and composer, is a professor of music theory at the Zielona Góra University and Karol Lipinski Music Academy in Wroclaw. He specialises in 19th- and 20th-century music history and theory as well as in the socio-political aspects of music in the 20th century.
lt;p>Nationalism vs Universalism - Racist foundations of the Nazi thought on music and of the normative music aesthetics - Reactions to the biological racism of the 3rd Reich from musical and academic circles in Poland and the UK - The way from nationalism to racism in fascist Italy - Cryptonationalisms in post-war Europe
| Erscheinungsdatum | 15.07.2019 |
|---|---|
| Reihe/Serie | Eastern European Studies in Musicology ; 14 |
| Verlagsort | Frankfurt a.M. |
| Sprache | englisch |
| Maße | 148 x 210 mm |
| Gewicht | 409 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musikgeschichte |
| Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
| Geisteswissenschaften ► Geschichte | |
| Sozialwissenschaften | |
| Schlagworte | 2015 • andrzej • chauvinism • compositions • European • europejska • Galecki • Gałecki • Golab • Gołąb • ideology and music • Interwar • kompozytorska • Lukasz • Łukasz • Maciej • miedzywojennego • międzywojennego • Musical • music in fascist Italy • music in pre-war Poland • music in the 3rd Reich • music in the pre-war UK • muzyce • Nacjonalizm • Nationalism • okresu • Period • politics and music • Racism • rasizm • reflected • refleksja • szowinizm • Thought • Tuchowski • twórczosc • twórczość • Uniwersytetu • Wroclaw • Wrocław • Wroclawskiego • Wrocławskiego • Wydawnictwo |
| ISBN-10 | 3-631-78727-8 / 3631787278 |
| ISBN-13 | 978-3-631-78727-4 / 9783631787274 |
| Zustand | Neuware |
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